Sökning: "aria"

Visar resultat 1 - 5 av 9 avhandlingar innehållade ordet aria.

  1. 1. Chromium martensitic hot-work tool steels : damage, performance and microstructure

    Författare :Johnny Sjöström; Jens Bergström; Farhad Rezai-Aria; Karlstads universitet; []
    Nyckelord :Hot-work tool steel; thermal fatigue; microstructure; Materialteknik; Materials Engineering;

    Sammanfattning : Chromium martensitic hot-work tool steel (AISI H13) is commonly used as die material in hot forming techniques such as die casting, hot rolling, extrusion and hot forging. They are developed to endure the severe conditions by high mechanical properties attained by a complex microstructure. LÄS MER

  3. 2. Operans dubbla tidsförlopp : Musikdramaturgin i bilradiooperan Själens rening genom lek och skoj

    Författare :Hans Gefors; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Opera; musical dramaturgy; duration; story; real presence; aria; affect; music to action; rhythmical continuity; timing; beat; artistic research; musikdramaturgi; fortvaro; absolut närvaro; affekt; musik till handling; rytmisk kontinuitet; tajming; steg; konstnärlig forskning; förlopp;

    Sammanfattning : Title: The Twofold Rhythm of Duration in Opera. The Musical Dramaturgy of the Car Radio Opera "Cleansing of the Soul through Fun and Games". This thesis focuses on musical dramaturgy in operas with a story. I believe my own music is better when I write operas than instrumental music. LÄS MER

  4. 3. Studier i Christian Geists vokalmusik

    Författare :Lars Berglund; John Bergsagel; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; Sweden; music history; music analysis; 17th-century; sacred concerto; sacred aria; Düben Collection; Christian Geist; Charles XI; Musikvetenskap; musikhistoria; musikanalys; 1600-tal; andlig vokalkonsert; andlig aria; Dübensamlingen; Christian Geist; Karl XI; kungliga hovkapellet; Music; Musikvetenskap; Musicology; Musikvetenskap;

    Sammanfattning : This dissertation is an historical and analytical study of the vocal works of Christian Geist (c1650–1711), composed for the royal Swedish court and for the German church in Gothenburg. Theoretically it draws on the model of genre history advocated by Carl Dahlhaus. LÄS MER

  5. 4. From Air to Aria. Relevance of Respiratory Behaviour to Voice Function in Classical Western Vocal Art

    Författare :Monica Thomasson; KTH; []
    Nyckelord :Abdominal wall; breathing; consistency; inhalation; lung volume; respiratory behaviour; phonation; rib cage; singers; singing; subglottal pressure; tracheal pull; vertical laryngeal position; voice source.;

    Sammanfattning : While previous studies of opera singers’respiratorybehaviour have focused on kinematic or dynamic aspects mainly,this thesis attempts to adopt a broader perspective. Not onlylung volumes, rib cage and abdominal wall kinematics areconsidered, but also the effects of lung volumes and respiratorybehaviour on phonation characteristics. LÄS MER

  7. 5. Släpp sångarna loss! : Genus, gestaltningsnormer och konstnärligt handlingsutrymme i opera

    Författare :Tove Dahlberg; Wilhelm Carlsson; Tiina Rosenberg; Astrid Kvalbein; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; opera; gestaltning; sångare; röstfack; sopran; mezzo; roll; byxroll; genus; genusnyfiken; norm; normkreativ; normkritik; handlingsutrymme; agens; femininitet; maskulinitet; ickebinär; klassisk musik; approximativ intonation; intimitet; sexualitet; dragking; sårbarhet; tillit; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Sammanfattning : Abstract:My dissertation is taken from an opera singer’s perspective and the aim is three-fold: ·         to investigate and problematize how gender and performance norms are reproduced on the opera stage·         to provide tools and propose approaches to transform gender perspective and norm critique into a creative artistic practice, enabling conscious and active artistic choices in relation to gender and performance norms·         to explore ways to expand the singer's artistic agency. The artistic research project draws on knowledge from both my own practice as a professional opera singer and my collaborators’ experiences from the worlds of opera, classical music and theatre. LÄS MER