Sökning: "Humaniora Konst Filmvetenskap"

Visar resultat 1 - 5 av 102 avhandlingar innehållade orden Humaniora Konst Filmvetenskap.

  1. 1. Tabu : Filmaren Vilgot Sjöman

    Författare :Anders Åberg; Växjö universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; film; filmregissörer; svensk filmhistoria; politik; sex; censur; Film; Filmvetenskap; Film Studies; Filmvetenskap; Political Cinema; Humaniora; Humanities; Swedish Film; Sjöman;

    Sammanfattning : This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films. LÄS MER

  2. 2. Inter esse : Det skapande subjektet, Norén och Reality

    Författare :Per Zetterfalk; Sven-Eric Liedman; Suzanne Osten; Bo Florin; Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Lars Norén; Reality; artistic research; creativity; subject; writing and directing; fiction and reality; tacit knowledge; aesthetics; TV; media and art; Film; Filmvetenskap; Cinema Studies; filmvetenskap; Artistic practices; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen;

    Sammanfattning : At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. LÄS MER

  3. 3. Hellraiser : om Clive Barkers film

    Författare :Anna Arnman; Lars Gustaf Andersson; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Monstrous; Aesthetics; Cenobites; Sexuality; Family; House; Religion; 80´s horror films; Humanities; Humaniora; Konstvetenskap; Art History; Allmän och jämförande litteraturvetenskap; Genre; General and comparative literature; Horror; Body; Horror; Film; Film Studies;

    Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER

  4. 4. Screen play : audiovisual narrative & viewer interaction

    Författare :John Alexander; Erik Hedling; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Sammanfattning : How does the viewer, interact, with the on-screen narratives of film, television and computer? What new forms of interaction can be realised with the emerging narratives of CD-ROM and Internet?This study considers screen play in terms of the game the viewer plays with audiovisual narrative, and how the viewer negotiates with a story to interpret, revise and reconstruct new stories of their own.Aspects of game and narrative theories, cognitive psychology and phenomenology, as well as recent research in the fields of cinema, television and computer studies, are incorporated within a screen play theory, which positions the viewer both as player and storyteller. LÄS MER

  5. 5. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg

    Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

    Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER