Sökning: "Film Editing"

Visar resultat 1 - 5 av 13 avhandlingar innehållade orden Film Editing.

  1. 1. Beyond Cut and Join : Expanding the Creative Role of Film Editing

    Författare :Kersti Grunditz Brennan; Juliette Mapp; Karen Pearlman; Ilona Hongisto; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Film editing; character; collaboration; filmmaking; artistic research; creative practice research; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.;

    Sammanfattning : The research project Beyond Cut and Join – Expanding the creative role of film editing comes out of two major observations over decades of professional film editing experience: that a lot of film editing’s potential is untapped in filmmaking, especially in relation to character creation; and that editors’ skills, influence and authorial participation often are misunderstood and undervalued. Through editing practice and writing, this research explores an expanded role of editing by asking: 1. LÄS MER

  3. 2. Jill Bilcock : Revealing the Invisible Artist. Recognising the creative contributions of film editors to filmmaking through biographical documentary film

    Författare :Axel Grigor; Patricia FitzSimons; Nico Meissner; Joanna Callaghan; Kath Dooley; Högskolan Dalarna; []
    Nyckelord :HUMANIORA; HUMANITIES; Film Editing; Film Editor; Film Production; Filmmaking; Motion Pictures; Motion Picture Editing; Documentary; Film Art; Film History; Biography; Jill Bilcock; Australia; Hollywood; Filmklippning; Filmklippare; Filmproduktion; Film; Filmkonst; Dokumentärfilm; Biografi; Jill Bilcock; Australien; Hollywood;

    Sammanfattning : Film editing is recognised as the conceptual innovation that, at the dawn of the twentieth century, helped transform the novelty of moving images into cinema. Despite this acknowledgment, misconceptions about the art form linger. LÄS MER

  4. 3. Redigering och skuld : Ett kognitivt perspektiv på redigeringensfunktioner i ansvarsutkrävande tv-reportage

    Författare :Piotr Urniaz; Stefan Sjöström; Göran Ericsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; TV journalism; attribution of guilt; mental models; Jürgen Habermas; Formal Pragmatics; visual communication; communicative ethics; media literacy; cognition; the viewer; investigative journalism; media accountability; political scandals; critical realism; documentary film; Tv-journalistik; granskande journalistik; redigering; dokumentärfilm; reception; kommunikativ etik; Jürgen Habermas; audiovisuell kommunikation; argumentation; skuld; skuldattribuering; ansvarsutkrävande; medieskandaler; formalpragmatik; manipulation; komposition; medie- och kommunikationsvetenskap; media and communication studies;

    Sammanfattning : Abstract: During the past decade, media researchers have intensified the study of media scandals and the role of journalism as an institution that holds social actors responsible for malfeasance and wrongdoings. On a micro level of analysis, the main attention has beendirected towards the journalistic interview and its use to promote the impression of guilt and journalistic neutrality. LÄS MER

  5. 4. Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81

    Författare :Atene Mendelyte; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; U.S. avant-garde film; Gilles Deleuze; film-philosophy; sobjective image; metaphysics of technique; conceptual cartography of film-worlds; transcendental empiricism; film semiotics; postmodernism;

    Sammanfattning : The aim of this dissertation is to investigate a number of U.S. avant-garde films using Deleuzian film-philosophy in order to describe their thought. I develop the taxonomy of cinematic images created by the French philosopher Gilles Deleuze by introducing a new type of image. LÄS MER

  7. 5. In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm

    Författare :Kirsi Nevanti; Ylva Gislén; Holmquist PeÅ; Jonna Bornemark; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; ethics documentary film; situational understanding; authenticity; reality; parallel realities; creative processes; know thyself; Images and the Worlds of Being; A Shift Between Worlds; director; film team; world; in real life or elsewhere ; IRL; VR; Virtual Reality; AR; Augmented Reality; life as stage manager; reflections on space; journey; snippet of time; interpretation of reality; protagonist; cinema; cinematic means; universe; imagination; artistic research; presence of the camera; existence; the act of seeing; visual knowledge; intuition; practical knowledge; communication; fictional; gender bending; identity; visual art; vantage point; unreality; art; vision; photography; cinematography; sound design; editing; directing; life science; Performativa och mediala praktiker; Performative and media based practices;

    Sammanfattning : Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. LÄS MER