Sökning: "Swedish Film"
Visar resultat 6 - 10 av 186 avhandlingar innehållade orden Swedish Film.
6. Hellraiser : om Clive Barkers film
Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER
7. En fiende till civilisationen : manlighet, genusrelationer, sexualitet och rasstereotyper i svensk filmkultur under 1920-talet
Sammanfattning : The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping. The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER
8. The Most Delicate Subject : A History of Sex Education Films in Sweden
Sammanfattning : The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. LÄS MER
9. Folkhemsk film : Med ”invandraren” i rollen som den sympatiske Andre
Sammanfattning : The main objective of this thesis is to study representations of ‘the immigrant’ in Swedish films during the last 30 years – 1970-2000. The main question is whether the films are to be seen as reproducing the dominant order in society or as subversive practices. LÄS MER
10. Reproducing Languages, Translating Bodies : Approaches to Speech, Translation and Cultural Identity in Early European Sound Film
Sammanfattning : This study discusses and analyses recorded/filmed speech, translation, and cultural identity in film discourses in early European sound film. The purpose is to frame these issues from a number of theoretical perspectives in order to highlight relations between media, speech and translation. The points of departure are 1. LÄS MER