Sökning: "Audience experience"

Visar resultat 1 - 5 av 42 avhandlingar innehållade orden Audience experience.

  1. 1. Scenes from an Audience : The auteur and the film text in audience experiences: Ingmar Bergman – a case study

    Författare :Jono Van Belle; Maaret Koskinen; Stijn Joye; Gino Verleye; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical audience research; film reception; Ingmar Bergman; Sweden; Belgium; heterosexual love and marriage; Scener ur ett äktenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Over the last decades, the new cinema history (NCH) strand has developed within film studies. This new strand moves away from the traditional focus on film texts and instead focuses on cinemagoing as social and cultural phenomenon, and the cinema as a social institution. LÄS MER

  3. 2. Actor-Spectator in a Virtual Reality Arts Play

    Författare :Magali Ljungar-Chapelon; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Artistic crossover; Virtual Reality Art; VR-Cube; Immersion; Interactivity; Experience of art; Audience experience; Performing arts;

    Sammanfattning : This doctoral project brings to the fore the specificity of the artistic experience when the Virtual Reality Cube, a medium based on immersive virtual reality technology, is used as artistic virtual space, where the stage and the auditorium blend into one and spectators and actors no longer have distinctive roles. It consists of three integrated parts: a written thesis, a VR artwork and a DVD, which illustrates the text, the production process of the VR work, and which also presents an interpretation of the research results in filmic and photographic form. LÄS MER

  4. 3. The Sensational Body : A Spectatorial Exploration of the Experience of Bodies on Stage in Circus, Burlesque and Freak Show

    Författare :Jonas Eklund; Meike Wagner; Camilla Damkjær; Helen Stoddart; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; circus; new circus; contemporary circus; burlesque; neo-burlesque; boylesque; freak show; sideshow; bodies; phenomenology; spectatorship; popular culture; performance analysis; autoethnography; experience; body mind; Theatre Studies; teatervetenskap;

    Sammanfattning : At the end of the 20th century, the three genres circus, burlesque, and freak show were revived after a long period of decline. Seemingly something in the genres still has a strong appeal to the spectators. LÄS MER

  5. 4. Plot, Spectacle, and Experience : Contributions to the Design and Evaluation of Interactive Storytelling

    Författare :Jarmo Laaksolahti; Kristina Höök; Ruth Aylett; Stockholms universitet; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; Computer and systems science; Data- och systemvetenskap; Computer and Systems Sciences; data- och systemvetenskap;

    Sammanfattning : Interactive storytelling is a new form of storytelling emerging in the crossroads of many scholarly, artistic, and industrial traditions. In interactive stories the reader/spectator moves from being a receiver of a story to an active participant. LÄS MER

  7. 5. Monsterkroppar : Transformation, transmedialitet och makeoverkultur

    Författare :Kristina Stenström; Anja Hirdman; Kristina Riegert; Thomas Johansson; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; transmedia; audience; television; embodied spectatorship; makeover culture; late modernity; monstrosity; monster; vampire; zombie; transmedia; publik; television; förkroppsligat åskådarskap; makeoverkultur; senmodernitet; monstrositet; monster; vampyr; zombie; Media and Communication Studies; medie- och kommunikationsvetenskap;

    Sammanfattning : This study offers insights into the motif of monstrous corporality in a transmedia environment, through the vampire and zombie characters. Different narratives of corporeal transformation surround us constantly. LÄS MER