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Visar resultat 1 - 5 av 12 avhandlingar som matchar ovanstående sökkriterier.

  1. 1. Le respect de la tradition : Om den franska flöjtkonsten: dess lärande, hantverk och estetik i ett hermeneutiskt perspektiv

    Författare :Anders Ljungar-Chapelon; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; technical mastery; virtuosity; teaching methods; spontaneity; art; Aesthetics; automaieutics; coding; flute; education; flute playing; flute teaching; flute tutors; teaching in group; imitation; individual teaching; interpretation; intuition; instrumental skills; involuntary memory; learning; maieutics; mimesis; mediating tools; music; practice; musical expression;

    Sammanfattning : ABSTRACT The present study describes topics related to music education, and the education of flautists, primarily on a professional level, covering a period from early 18th Century up to the early 21st Century within the French flute tradition. Further related areas of importance are concepts such as intuition, imitation, mimeses and maieutics and their relation to a flautist’s learning and teaching. LÄS MER

  3. 2. Musik und Gemeinschaft einer Nation im Werden : Die Einführung der Kunstmusik in Island in der Zeit von ca. 1800 bis 1920

    Författare :Sigurlaug Regina Lamm; Heinrich W. Schwab; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; musicology; history of music; 19th - 20th century musical life; Iceland; Icelandic culture 19th century; cultural contact; Musikvetenskap; Music; Musikvetenskap; Musicology; Musikvetenskap;

    Sammanfattning : This dissertation is a study of the process of change in the field of music in Iceland from ca. 1800 until 1920.In the 19th century significant socio-economical changes took place in Iceland. Once a farming society, Iceland transformed into a country dependent upon its fishing industry. LÄS MER

  4. 3. Kakofont storhetsvansinne eller uttryck för det djupaste liv? : Om ny musik och musikåskådning i svenskt 1920-tal, med särskild tonvikt på Hilding Rosenberg

    Författare :Per Olov Broman; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; 20th century music history; new music; modernism; aesthetics of music; sociology of music; history of ideas; music analysis; jazz reception; institution of art; Hilding Rosenberg; Sten Broman; Gunnar Jeanson; Moses Pergament; Julius Rabe; Sweden; Musikvetenskap; Music; Musikvetenskap; Musicology; Musikvetenskap;

    Sammanfattning : This dissertation is a critical study of views and concepts in the musical aesthetics of new music in the Swedish 1920s. The study focuses on Hilding Rosenberg while also paying attention to Sten Broman, Gunnar Jeanson, Moses Pergament and Julius Rabe. LÄS MER

  5. 4. The Movement of a Musical Work : Ernst Krenek’s Opus 20 in the Interwar Years

    Författare :Johan Larson Lindal; Eva Hemmungs Wirtén; Martin Fredriksson; Ingemar Grandin; Julian Johnson; Linköpings universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Actor-Network Theory; Musical work concept; Micro-history; Modernism; Ernst Krenek; Actor-Network Theory; musikaliska verkbegreppet; mikrohistoria; modernism; Ernst Krenek.;

    Sammanfattning : The dissertation studies how one ‘modern’ piece of music from the early 20th century became conceptualised as an idealised musical work: the Third String Quartet, opus 20 (op. 20) by Austrian composer Ernst Krenek (1900–1991). LÄS MER

  7. 5. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Författare :Sverker Jullander; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER