Sökning: "reception æsthetics"

Visar resultat 21 - 25 av 34 avhandlingar innehållade orden reception æsthetics.

1. 21. Die Choralreform in den Ostseeprovinzen in der ersten Hälfte des 19. Jahrhunderts. Ein Beitrag zur Geschichte des protestantischen Kirchengesangs in Estland und Livland

   Författare :Toomas Siitan; Musikvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Organ playing of chorales; Moravian singing practice; Regular singing; Old way of singing; Singing practice; Aesthetics of chorale; Congregational hymn singing; Ethnohymnology; Hymnology; Baltic provinces; Livonia; Estonia; Chorale book; 19th century; Chorale reform; Music education in 19th century; National culture; Historicism.; Musicology; Musikvetenskap;

   Sammanfattning : The present thesis analyzes the reform of congregational singing in Livonia and Estonia in the first half of the 19th century. In this process the writings on the aesthetics of the congregational singing of a German pastor Johann Leberecht Ehregott Punschel (1778–1849) active in Livonia, and a chorale book (1839) that he edited occupied the central place. LÄS MER

3. 22. Skuggspel. Mellan bildkritik och ikonestetik i Lars Gyllenstens författarskap : A play of shadows. Image Critique and Icon Aesthetics in the works of Lars Gyllensten

   Författare :Camilla Brudin Borg; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Lars Gyllensten; Don Juan; Goya; Toulouse-Lautrec; Cézanne; Degas; camera obscura; meta-bild; metafor; bildkritik; ikonoklasm;

   Sammanfattning : This dissertation addresses, on the one hand, Lars Gyllensten’s fundamentally critical relationship to imagery and image interpretation. Throughout his literary career, in his fiction as well as in his polemic criticism in the press, Gyllensten has performed the role of iconoclast. LÄS MER

4. 23. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning

   Författare :Anders Dillmar; Musikvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Theomusicology; Ethnohymnology; Early German literary romanticism; 19th century; Sweden; Johann Christian Friedrich Hæffner; Chorale book; Congregational hymn singing; Old way of singing; Singing practice; Ornamentation; Individualized way of singing; Heterophony; Regular singing; Chorale reform; Four-part singing; Iso-rhythmical performance; Chorale tempo; Harmonisation of hymn tunes; Legato; Moravian singing practice; Symbolism of organ; Organ playing of chorales; Aesthetics of chorale.; Musicology; Musikvetenskap;

   Sammanfattning : This thesis analyses the Swedish chorale book in two parts edited by J.C.F. Hæffner in 1820-21 to the new hymnal by Wallin of 1819. LÄS MER

5. 24. Over the Threshold, Into the World : Experiences of Transcendence in the Context of Staged Events

   Författare :Kim Skjoldager-Nielsen; Willmar Sauter; Anita Synnøve Hammer; Keld Hyldig; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; performance analysis; model; staged event; aesthetics of the performative; metaphysics of experience; immanent transcendence; theatre; ritual; installation; religion; spirituality; Erika Fischer-Lichte; Dorthe Jørgensen; Theatre Studies; teatervetenskap;

   Sammanfattning : The aim of the thesis is to develop an apparatus of theory and method for performance analysis, the purpose of which is to analyse potentials for experiences of transcendence. These experiences are contextualised in terms of the metaphysical, the religious, and the spiritual. LÄS MER

7. 25. They Will Call Me the Black God : Imaging Christianity and the Bible in African Film

   Författare :Oulia Adzhoa Sika Makkonen; Kajsa Ahlstrand; Ashleigh Harris; Jolyon Mitchell; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Religion in film; African Film; Reception of the Bible; World Christianity; Transnational; Religionshistoria och global kristendom; History of Religions and World Christianity;

   Sammanfattning : This thesis explores the ways in which African filmmakers have historically addressed Christianity and the Bible on the continent. It begins with the premise that on the African continent, marked political films (Mazierska) are embedded in transnational dynamics involving movements of economic and symbolic capital, ideas, discourses and multiple publics. LÄS MER