Sökning: "art making"

Visar resultat 1 - 5 av 314 avhandlingar innehållade orden art making.

  1. 1. Könsskillnadens estetik? Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen

    Författare :Johanna Rosenqvist; Anna Lena Lindberg; Jorunn Veiteberg; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Handicraft; Art history; feminist art theory; Konsthistoria; Aesthetics; Art History; Konstvetenskap; fields of art; Folk art; ornament; Arts and Crafts; Modernism; Post modernism; textile art; Sloyd; The National Association of Swedish Handicraft Societies; Estetik; handdicraft; Art;

    Sammanfattning : The main objective of this PhD thesis, "An Aesthetics of Sexual Difference? On Art and Artistry in Swedish Handicraft of the 1920s and 1990s", is to investigate the field of handicraft in relation to a wider field of cultural production. Its aim is to contribute to a mapping of interrelated outlines of handicraft and art based on empirical studies of artistic creation in two local Swedish handicraft organizations during the modernism of the 1920s and the postmodernism of the 1990s. LÄS MER

  2. 2. Making in Context : Reconsidering Anders Zorn's Oil Painting Practice

    Författare :Emma Jansson; Sabrina Norlander Eliasson; Anna Bortolozzi; Jorgen Wadum; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Anders Zorn; oil painting; technical art history; technical analysis; materiality; material culture; conservation science; nineteenth century; juste milieu; modernism; modernity; Impressionism; Paris Salon; secessionism; konstvetenskap; Art History;

    Sammanfattning : Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. LÄS MER

  3. 3. Rum för avsked : Begravningskapellets arkitektur och konstnärliga utsmyckning i 1900-talets Sverige

    Författare :Emilie Karlsmo; Hedvig Brander Jonsson; Gunilla Frick; Lena Johannesson; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Art history; burial service; ecclesiastical architecture; mural painting; public art; secularization; Stockholm’s Woodland Cemetery; Swedish Cremation Society; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : The dissertation focuses on a building for one sole purpose: burial services. The aim is to understand the funeral chapel in both functional and representational terms; to chart the course of the architecture and artistic decoration. The presentation is chronologically structured into four periods. LÄS MER

  4. 4. Spaces of Encounter: Art and Revision in Human Animal Relations

    Författare :Bryndis Snæbjørnsdóttir; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; animal studies; artistic research; conceptual art; contemporary art; contextual art; fine art research; installation art; photography; post-humanism; relational art; Snæbjörnsdóttir Wilson; site-specific art; taxidermy.;

    Sammanfattning : This PhD project explores contemporary Western human relationships with animals through a ‘relational’ art practice. It centres on three art projects produced by Snæbjörnsdóttir/Wilson – nanoq: flat out and bluesome; (a)fly; and seal – that utilize lens-based media and installations. LÄS MER

  5. 5. In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization

    Författare :Beatrice Persson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; contemporary art; Australian art; Aboriginal art; cross-culture; contemporaneity; globalization; postcolonialism; diaspora; cultural semiotics; Emily Kame Kngwarreye; Fiona Foley; Ricky Swallow; John Young;

    Sammanfattning : This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus, the focus of this dissertation is on the postcolonial context of Australia and the fact that the contemporary art scene in Australia is divided into Australian and Aboriginal art respectively. This is a division originating from the colonization of Australia that began in the 1770’s, resulting in an Australian art descending from a Western art practice, where there is further focus on two categories within this art. LÄS MER