Sökning: "Historically informed performance practice"
Visar resultat 1 - 5 av 6 avhandlingar innehållade orden Historically informed performance practice.
1. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach
Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER
2. Ups and Downs, Violin Bowing as Gesture
Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER
3. Matthias Weckmann: the interpretation of his organ music
Sammanfattning : The dissertation presents an interpretation of the complete organ works of Matthias Weckmann primarily for the performer and in the spirit of historically-informed performance practice. The process of creating this interpretation was documented in writings, recordings, concerts, and a new edition of the free organ works. LÄS MER
4. The role of the board chair : Changing expectations and hybrid organizations
Sammanfattning : The purpose of this dissertation is to enhance our understanding of the changing role of the board chair and what this means for hybrid organizations and their board work. Historically, the role of the boards and their chairs evolved around safeguarding shareholders’ financial interests. LÄS MER
5. Invoking the modal nymph: The emergence and dissemination of the concept of modality in Swedish folk music
Sammanfattning : Since the emergence of a concept of folk music, the study and practice of certain Western European musical traditions has been informed by notions of the music’s modality. Specifically, the idea that older or more indigenous layers of traditional repertoires manifest an underlying, pre-tonal structure of their own has been significant in scholarship, musical education, and performance. LÄS MER