Avancerad sökning

Hittade 3 avhandlingar som matchar ovanstående sökkriterier.

1. 1. Barbro Östlihn och New York : Konstens rum och möjligheter

   Författare :Annika Öhrner; Hans Hayden; Jan von Bonsdorff; Marta Edling; Maria Hirvi-Ijäs; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Barbro Östlihn; post war art history; American post war art history; Swedish art history; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Barbro Östlihn; post World War II Art History; American post World War II art; Swedish Art History; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Art; Konstvetenskap; Konstvetenskap; History of Art;

   Sammanfattning : The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. LÄS MER

3. 2. Framträdanden : Performativitetsteoretiska tolkningar av Tadeusz Kantors konstnärskap

   Författare :Camilla Larsson; Katarina Wadstein MacLeod; Annika Öhrner; Magdalena Holdar; Södertörns högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; Tadeusz Kantor; performative meaning; mediality as material; sensorial and spatiotemporal affects; intermediality; art exhibition; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Tadeusz Kantor; performativ mening; medialitet; materialitet; intermedialitet; konstutställningar; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für Moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

   Sammanfattning : The subject of this dissertation is the art of the Polish theatre director, set designer, and visual artist Tadeusz Kantor (1915–1990) and its inherent width of artistic expressions. The aim is to contribute with new interpretations that add to previous research that primarily has studied the body of work from the perspectives of the artist’s intention and biography, and divided his artistic work between visual art and theatre. LÄS MER

4. 3. Konst och kartläggning kring 1970 : Modell, diagram och karta i konstens landskap

   Författare :Karolina Uggla; Jeff Werner; Margaretha Rossholm Lagerlöf; Annika Öhrner; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Conceptual art; maps; mapping; art and cartography; art and mapping; visual culture; art and science; scientific images; art and cybernetics; alienation; the linguistic turn; Agnes Denes; Sten Eklund; Hans Haacke; Öyvind Fahlström; Richard Long; Yoko Ono; Robert Smithson; konstvetenskap; Art History;

   Sammanfattning : The years around 1970 saw the emergence of an artistic fascination with maps and mapping. In the present thesis this fascination is conceptualised as a mapping impulse, acknowledging how the discourses of art and mapping, respectively, intertwine and merge. LÄS MER