Sökning: "writer subjectivity"

Visar resultat 1 - 5 av 11 avhandlingar innehållade orden writer subjectivity.

  1. 1. Skrivande och blivande : konstruktioner av skönlitterärt skrivande i handböcker och läromedel 1979-2015

    Författare :Sofia Pulls; Anders Öhman; Maria Jönsson; Anders Ohlsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Creative Writing; handbooks; textbooks; Writing Process; writing discourse; didactics; subjectivity; ideology; Kreativt skrivande; handböcker; läromedel; skrivprocess; skrivdiskurs; didaktik; subjektivitet; ideologi; Literature; litteraturvetenskap;

    Sammanfattning : The focus of this study is descriptions of literary writing in pedagogical texts. The aim is to analyse how writing and writing subjects are constructed in pedagogical texts on writing published in Sweden between 1979 and 2015. LÄS MER

  2. 2. Det svarta blocket i världen. Läsningar, samtal, transkript

    Författare :Hanna Nordenhök; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; poetry; écriture féminine; post academic writing; feminist writing methodologies; experimental ethnography; writer subjectivity; poetics; Glora Gervitz; Anja Utler; Ann Jäderlund;

    Sammanfattning : This dissertation in literary composition examines contemporary poetry and the writing of poetry understood as events of reading and relationality – as interpretative comprehension processes where relational subjectivities are conceived and set in motion. In an ”ebb and flow” between theory and practice, as well as between the situated experience of being a writing body and that body´s inscription in the performative and explorative process, it approaches core literary questions from the standpoint of a writer in practice. LÄS MER

  3. 3. Polyphonie argumentative : Étude de la négation dans des éditoriaux du Figaro, de Libération et du Monde

    Författare :Malin Roitman; Mats Forsgren; Françoise Sullet-Nylander; Kjersti Fløttum; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; polyphony; negation; enunciation; polyphonic markers; polyphonic structure; sequences; dynamic point of view; discourse beings; dialogism; argumentation; intrusion; ethos; subjectivity; reported speech; refutation; rhetoric; constructivism; French language; Franska språket;

    Sammanfattning : This thesis deals with the polyphonic and argumentative functions of the French negation marker, ne, in editorial texts from the daily press. The concept ‘polyphony’ relates to the presence of multiple voices within one and the same utterance. According to this view, negation triggers a subdivision of an utterance in two points of view. LÄS MER

  4. 4. Pratiques de l'ici, altérité et identité dans six romans québécois des années 1989-2002

    Författare :Svante Lindberg; Maria Walecka-Garbalinska; Margareta Östman; Janet Paterson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Pierre Gobeil; Lise Tremblay; Rober Racine; Bertrand Gervais; Pauline Harvey; Wajdi Mouawad; Quebec; Québécois novel; postmodern; postcolonial; practices of Here; the Other; alterity; identity; subjectivity; narrative; internal hermeneutics; space; dysphoria; migration; French language; Franska språket;

    Sammanfattning : Based on an analysis of the roles of alterity and the Other in six Québécois novels published between 1989 and 2002, this study examines how the identity of these first-person narrators is formed through processes of dysphoria, migration and elaborations of mutual space in what will be called practices of Here. The novels can be referred to as texts of the new subjectivité québécoise. LÄS MER

  5. 5. A steady flameless light : the phenomenology of realness in Dorothy Canfield Fisher's The brimming cup, Her son's wife and Rough-hewn

    Författare :Annika Ljung-Baruth; Hans Löfgren; Stockholms universitet; []
    Nyckelord :Dorothy Canfield Fisher; Literature; Litteraturvetenskap;

    Sammanfattning : This study investigates the way in which experience comes to givenness in three novels by the early twentieth century American writer Dorothy Canfield Fisher (1879-1958). By utilizing a model of affectivity set up by the French phenomenologist Michel Henry, the investigation uncovers unthematized strata in The Brimming Cup (1921), Rough-Hewn (1922), and Her Son’s Wife (1926) in which subjectivity is phenomenalized as auto-affective and immanent. LÄS MER