Sökning: "to read a film"

Visar resultat 1 - 5 av 25 avhandlingar innehållade orden to read a film.

1. 1. Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81

   Författare :Atene Mendelyte; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; U.S. avant-garde film; Gilles Deleuze; film-philosophy; sobjective image; metaphysics of technique; conceptual cartography of film-worlds; transcendental empiricism; film semiotics; postmodernism;

   Sammanfattning : The aim of this dissertation is to investigate a number of U.S. avant-garde films using Deleuzian film-philosophy in order to describe their thought. I develop the taxonomy of cinematic images created by the French philosopher Gilles Deleuze by introducing a new type of image. LÄS MER

3. 2. ENHEAR : a way of being, a state of mind, a field of enquiry

   Författare :Carolina Jinde; Rebecca Hilton; Anne Gry Haugland; Stockholms konstnärliga högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; enhear; listening; sound engineering; sound studio; film production; sonic centric strategies; collaborative processes; cross disciplinary practices; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

   Sammanfattning : The term Enhear invites an approach to research, art practice, sound studio and world that is comprehensively aural. It proposes listening as both act and role; listening as a present tense, continual and continuous co-creation of the inter-relational spaces we all share. LÄS MER

4. 3. Film i stadens tjänst: Göteborg 1938-2015

   Författare :Erik Florin Persson; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; beställningsfilm; stadsfilm; stadsmarknadsföring; kommunal reklam; kommunal information; lokal filmhistoria; useful cinema; non-theatrical film; sponsored films; non-fiction film;

   Sammanfattning : The aim of this dissertation is to map and analyze the production of municipal city films in Gothenburg between 1938 and 2015 in relation to economic and political changes of the city. Covering a total of fourteen larger film projects as well as several shorter films, the focus of the study lies both on the commission, distribution, and screening of the studied films and on the manner in which the city of Gothenburg and its inhabitants are represented. LÄS MER

5. 4. Den glömde mannen : Erik "Hampe" Faustmans filmer

   Författare :Per Vesterlund; Maaret Koskinen; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Erik Faustman; Filmregissörer; Sverige; 1940-talet; 1950-talet; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : This dissertation analyses the films of the Swedish film director and actor Erik "Hampe" Faustman (1919-1961). Faustman directed 20 films during the period 1943-1955. In the history of Swedish cinema, Faustman's role is that of the socially conscious spokesman for the working class. LÄS MER

7. 5. The decline of choreography and its movement : a body's (path)way

   Författare :Paz Rojo; Chrysa Parkinson; Victoria Pérez Royo; Noémie Salomon; Stockholms konstnärliga högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; Dance; withdrawal; no-future; destitution; gap; eclipse; crisis; body of dance; extra; Gerry; anonymity; bloom; whatever; impersonal; pre-individual; impossible; not-yet produced potentiality; path way; raw fact material signification; practical matter; reading apparatus; perceiving-receiving; preparation; before the beforehand; beginning : end; use; continuity; what s happening; doing; texture; articulation; density; volume; common surface; outside; out-side-ing; choreography; movement; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

   Sammanfattning : This doctoral artistic research project addresses the possibility of a dance withdrawn from that neoliberal scheme accordingto which self-performance, entrepreneurship and the production of subjectivity rule. Taking as a starting point the dissident corporealities that have emerged in the last fifty years in Western contemporary experimental dance; the project involvesaesthetic, philosophical and socio-political perspectives, carried out on choreographic, performative, textual, audiovisual, curatorial and discursive media. LÄS MER