Sökning: "theater"
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47 avhandlingar innehållade ordet theater.
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Författare :Ellinor Lidén; Karin Helander; Margareta Aspán; Eva Alerby; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Children’s theatre; children’s theatre as event; child audiences; generation; generationing; the scenario of children’s theatre; reception studies; childhood studies; Barnteater; barnteater som händelse; barnpublik; generation; generationing; barnteaterns scenario; receptionsstudier; barndomsforskning; teatervetenskap; Theatre Studies;
Sammanfattning :
Professional theatre for children is entirely conditioned by adults, though children are its primary audience. Adults at the theatre produce and perform theatre for child audiences, whereas other adults make the arrangements and escort children to the theatre. LÄS MER
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Författare :Hong Jai-Ung; Jaqueline Martin; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Theatre; Teatervetenskap; teatervetenskap; Theatre Studies;
Sammanfattning :
The aim of this dissertation is to explore the Tao of theater through the study of the productions of Strindberg’s A Dream Play on stage. For the purpose of understanding these dynamic relationships Taoism is used and especially I Ching, the essence of eastern philosophies. LÄS MER
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Författare :Ingvartsen Mette; Maria Lind; Bojana Cvejic; Adrian Heathfield; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography;
Sammanfattning :
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. LÄS MER
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Författare :Aleksei Semenenko; Lars Kleberg; Peter Alberg Jensen; Irena Makaryk; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Shakespeare; Hamlet; translation; literary canon formation; semiotics; canonicity; textuality; microcanon; genre; myth; sign; Slavic languages; Slaviska språk; slaviska språk; Slavic Languages;
Sammanfattning :
This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon formation. LÄS MER
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Författare :Niklas Persson Webjörn; Göteborgs universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Acting; method acting; realism; auteur; Verfremdungseffekt; Nouvelle Vague; Arthur Miller; Albert Camus; Tennessee Williams; August Strindberg; Henrik Ibsen; Lars Norén; Bengt Bratt; Roland Janson; Elia Kazan; Bertholt Brecht; Jean-Luc Godard; Pierre Bourdieu;
Sammanfattning :
The dissertation analyzes the seven studio produced TV-plays made (1979-1992) by the renown Swedish filmmaker Bo Widerberg. The main focus regards Widerberg’s work method, here referred to as ”The Widerberg method”, which can be described as an acting oriented work method influenced by the American method acting tradition from Hollywood in the fifties, especially the films by Elia Kazan. LÄS MER
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