Sökning: "the relation between"
Visar resultat 1 - 5 av 5147 avhandlingar innehållade orden the relation between.
Sammanfattning : It is the objective of this thesis to trace the grotesque image and determine its configurations in Swedish lyrical modernism, and to reveal the theoretical and historical incentives to these images. The grotesque image has been a powerful expression during the 20th century. LÄS MER
Sammanfattning : Pedagogy has been theorised as a process of becoming, throughout history, as well as in contemporary research. In an interplay between literary configuration as a form of arts-based research and analysis based in philosophy of education, this dissertation explores the in-between of the educational relation within a specific human–horse relationship in order to examine, re-symbolise and re-negotiate the very presumptions of what pedagogy can become. LÄS MER
Sammanfattning : We could all be said to be the body in different ways. The premise of this thesis is that our conventional manner of being the body is problematic and generates suffering. The main aim of the thesis is in short to describe the conventional manner and notion of being the body and investigate what options there are. LÄS MER
4. I det modernas landskap. Historisk orientering och kritiska berättelser om det moderna Sverige mellan 1960 och 1990
Sammanfattning : The aim of the study is to make visible a field of conflicting narratives of modern Sweden expressed by different political groups and to contribute to the working through of the conflict of interpretation. Four political challenges to the established success story of Sweden's development from a poor society to modern welfare state, are analysed: the Left in the 1960s, the new Women's movement in the 1970s, the Alternative movement and the Environmental Party in the late 1970s and early 1980s and, finally, the liberal challenge of the Moderates in the 1980s. LÄS MER
Sammanfattning : This book is about the participatory aesthetics of the fantastic. In it, the author argues that the definition of the fantastic presented by Tzvetan Todorov in 1970 can be used, provided it is first adapted to a media-ecological framework, to theorize the role of aesthetic participation in the creation of secondary worlds. LÄS MER