Sökning: "text film"

Visar resultat 1 - 5 av 42 avhandlingar innehållade orden text film.

  1. 1. Örat nära munnen : samtal mellan film och filosofi

    Författare :Marius Dybwad Brandrud; Malin Wahlberg; Jonna Bornemark; Katya Sander; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; conversation; representation; responsibility; ethics; film as philosophy; philosophy education; Emmanuel Levinas; Judith Butler; Gilles Deleuze; Rosalyn Diprose; Adriana Cavarero; Raymonde Carasco; Anne Carson; Chantal Akerman; Jakob A. Nilsson; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media;

    Sammanfattning : Doktorandprojektet är en studie i och genom filmiska samtal. Det genomförs i relation till samtalets roll i lärandet av filosofi. Medan filosofi oftast antar individuellt skriven form studeras hur filmiska samtal kan fungera som filosofiskt uttryck, främst utifrån filmen Samtal om samtal som är projektets huvudmaterial. LÄS MER

  3. 2. Scenes from an Audience : The auteur and the film text in audience experiences: Ingmar Bergman – a case study

    Författare :Jono Van Belle; Maaret Koskinen; Stijn Joye; Gino Verleye; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical audience research; film reception; Ingmar Bergman; Sweden; Belgium; heterosexual love and marriage; Scener ur ett äktenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Over the last decades, the new cinema history (NCH) strand has developed within film studies. This new strand moves away from the traditional focus on film texts and instead focuses on cinemagoing as social and cultural phenomenon, and the cinema as a social institution. LÄS MER

  4. 3. Musicalized Characters : A study of music, multimodality, and the empiric child perspective on mainstream animation

    Författare :Signe Kjaer Jensen; Jørgen Bruhn; Kirsten Drotner; Anahid Kassabian; Birger Langkjær; Linnéuniversitetet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Animation; music; children; interview; reception; film music; characters; audiences; multimodality; Musikvetenskap; Musicology; Film Studies; Filmvetenskap; Media and Communication Science; Medie- och kommunikationsvetenskap;

    Sammanfattning : This thesis is an audience reception study of film music and animation film. It focuses on the musical construction of characters, looking at how music becomes meaningful in film and how this meaning becomes part of child audiences' interpretation of filmic characters. LÄS MER

  5. 4. British Audiences and Approaches to European Cinema : Four Case Studies of French and Swedish Film in the UK Today

    Författare :Ingrid Stigsdotter; Tim Bergfelder; Thomas Austin; University of Southampton; []
    Nyckelord :HUMANIORA; HUMANITIES; Film; Filmvetenskap;

    Sammanfattning :  This thesis provides an analysis of audience responses to four case study films, Amélie (Le Fabuleux destin d’Amélie Poulain, 2001), The Dreamlife of Angels (La Vie rêvée des anges, 1998), Faithless (Trolösa, 2000) and Show Me Love (Fucking Åmål, 1998). The empirical data was collected at screenings in Hampshire and West Sussex in 2005. LÄS MER

  7. 5. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER