Sökning: "television drama"

Visar resultat 1 - 5 av 9 avhandlingar innehållade orden television drama.

1. 1. Två drömspel : från Strindbergs modernism till Potters television

   Författare :Staffan Ericson; Johan Fornäs; Helge Rønning; Stockholms universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; modernism; mass culture; art; popular culture; media; television; cultural fields; cultural studies; Frankfurt school; dreamplay; allegory; naturalism; August Strindberg; Walter Benjamin; Raymond Williams; Dennis Potter; Pierre Bourdieu; Media and communication studies; Medie- och kommunikationsvetenskap;

   Sammanfattning : This thesis studies the relations between modernism, mass culture and visual media. Using the dramatic form of the ”dream play” as focal point, it compares the drama of August Strindberg with the television series of Dennis Potter, and the theories of Walter Benjamin with those of Raymond Williams. LÄS MER

3. 2. A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science

   Författare :Sofia Bull; Anu Koivunen; Karen Lury; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; CSI; television studies; television history; genre; crime drama; forensic science; representation of science; post-genomic; genetic imaginary; cultural forum; structure of feeling; materiality; complexity; identity; body; kinship; affect; filmvetenskap; Cinema Studies;

   Sammanfattning : This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. LÄS MER

4. 3. TV-produktion i Sverige : En studie av TV-producenter inom drama och samhällsprogram

   Författare :Irène Grundberg; Lowe Hedman; Lars-Åke Engblom; Uppsala universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; TV production; TV producer; organization of TV production; professionalization; competition; drama; journalism; interview study; TV channels; production companies; TV stations;

   Sammanfattning : As television viewers we are used to watching television as a flow of programs with varying content, and usually do not think about how the programs are created. Who decides what should be produced and what the programs should contain? What role do the TV producers play? Who are the producers? Have their working conditions changed due to changes in society?The aim of this study was to answer questions about the TV producer’s background and career, and about how ideas for TV productions developed into actual TV programs. LÄS MER

5. 4. Folkhemmets skuggbilder. En kulturanalytisk genrestudie av svensk kriminalfiktion i film och tv

   Författare :Daniel Brodén; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; crime film; crime fiction; genre studies; culture studies; Swedish film history; television drama; Folkhemmet; welfare state; modernity and ambivalence; detective film; psychological thriller; police film; political thriller.;

   Sammanfattning : .... LÄS MER

7. 5. Electronic Labyrinths : An Archaeology of Videographic Cinema

   Författare :Jonathan Rozenkrantz; Trond Lundemo; Malin Wahlberg; Patricia Pisters; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; videographic cinema; video images in films; media archaeology; imaginary media; media imaginaries; live television drama; video therapy; video surveillance; video art; reality TV; mediated memories; media history; YouTube; retro; analogue nostalgia; filmvetenskap; Cinema Studies;

   Sammanfattning : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. LÄS MER