Sökning: "symphonic music"
Hittade 5 avhandlingar innehållade orden symphonic music.
1. Singing in Action : An inquiry into the creative working processes and practices of classical and contemporary vocal improvisation
Sammanfattning : This dissertation explores performative perspectives on classical and contemporary vocal improvisation (CCVI) as a critical, creative tool for development of and research in vocal performance. It consists of one introductory part and five articles, with additional documentation on a homepage. LÄS MER
2. Mellan provins och parnass : John Fernström i svenskt musikliv
Sammanfattning : The Swedish composer John Fernström (1897-1961) wrote over 200 pieces in the genres of symphonic music, chamber music and vocal music for mixed choirs, male choirs and solo vocals accompanied by piano. He lived most of his life in the province of Scania, first working in Helsingborg from 1916 1939 as a violinist in Nordvästra Skånes Orkester- förening [the Northwest Scanian Orchestra], whereafter he moved to Malmö and worked as a freelance conductor and composer until 1943. LÄS MER
3. Hilding Rosenbergs apokalyps : studier i Johannes uppenbarelse - ett musikverk i stridsutrustning
Sammanfattning : The intention of this dissertation is to provide a portrait of Hilding Rosenberg´s musical work "The Revelation of S:t John" (1940), for a large orchestra, chorus and recitation (recitative), through illuminating the work´s history of origin and basic literary and musical structure. As a composition initially intended for broadcast over the radio, the form and content of "The Revelation of S:t John" was to a great degree determined by the conditions dictated by radio at the time. LÄS MER
4. En relasjonell musikkestetikk – barn på orkesterselskapenes konserter. A relational aesthetic of music – children at professional orchestras' concerts
Sammanfattning : Over the past twenty years, there has been a huge growth in the education and community work ("outreach") undertaken by the West-European professional orchestras. It represents a new practise that within the orchestras may have been perceived as somewhat on the sidelines of the their traditional mandate as steward of the symphonic musical work. LÄS MER
5. Scoring the World: The Musical Imagery of Orchestration in Gustav Mahler's Symphonies no. 4 and 5
Sammanfattning : Gustav Mahler’s comment to Sibelius in 1907 that a symphony must be like the world is one of classical music’s most cited and has functioned as a crucial springboard for interpretations of the composer’s works. However, these have mostly centred on autobiographical, programmatic, or narrative aspects, with a focus on temporally unfolding plots or generic and semiotic connotations. LÄS MER
