Sökning: "spectators"

Visar resultat 11 - 15 av 32 avhandlingar innehållade ordet spectators.

  1. 11. Dokumentärfilmen som tidsresa - Modstrilogin

    Författare :Ingrid Esping; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Arne Sucksdorff; Peter Weiss; Harry Schein; FilmCentrum; Folkets Bio; 1960-tal; 1970-tal; 1980-tal; John Grierson; dokumentärfilm och etik; dokumentära metoder; Filmvetenskap; Cinema theory and history; Dokumentärfilm; Stefan Jarl;

    Sammanfattning : Stefan Jarl (1941-) is perhaps most well known for his trilogy of films about a group of outcast mods in the Swedish welfare state. The trilogy covers three decades: the first film, They Call Us Misfits, was made in 1968; the second, A Respectable Life, in 1979, and the third, Misfits to Yuppies, in 1993. LÄS MER

  2. 12. The Sensational Body : A Spectatorial Exploration of the Experience of Bodies on Stage in Circus, Burlesque and Freak Show

    Författare :Jonas Eklund; Meike Wagner; Camilla Damkjær; Helen Stoddart; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; circus; new circus; contemporary circus; burlesque; neo-burlesque; boylesque; freak show; sideshow; bodies; phenomenology; spectatorship; popular culture; performance analysis; autoethnography; experience; body mind; Theatre Studies; teatervetenskap;

    Sammanfattning : At the end of the 20th century, the three genres circus, burlesque, and freak show were revived after a long period of decline. Seemingly something in the genres still has a strong appeal to the spectators. LÄS MER

  3. 13. Stage Appropriations of Shakespeare’s Major Tragedies, 1979-2010

    Författare :Mette Sjölin; Engelska; []
    Nyckelord :Appropriation in literature; Appropriation of Shakespeare; Shakespeare in performance; Feminist re-vision; Women in Literature; King Lear; Macbeth; Othello; Romeo and Juliet; Hamlet;

    Sammanfattning : This dissertation examines appropriations of five of Shakespeare’s tragedies (King Lear, Macbeth, Othello, Romeo and Juliet and Hamlet), written for the stage between 1979 and 2010 and set in Shakespeare’s playworlds. The aim of the study is to investigate how these appropriations are used as a strategy for discussing issues that are central both to Shakespeare’s plays and to the present gender-political climate, with particular focus on the depiction of women and familial relationships. LÄS MER

  4. 14. Trans Cinema and Its Exit Scapes : A Transfeminist Reading of Utopian Sensibility and Gender Dissidence in Contemporary Film

    Författare :Wibke Straube; Cecilia Åsberg; Nina Lykke; Lann Hornscheidt; Susan Stryker; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Transgender studies; transfeminism; queer; gender; feminism; multisensorial cinema; haptic spectatorship; touch; hearing; seeing; exit scapes; sensible cinematic intra-activity; Trans Cinema; visual cultural studies; film theory; Transstudier; transfeminism; queer; genus; feminism; multisensorisk film; haptic spectatorship; beröring känsel; hörsel; seende; exit scapes; sensible cinematic intra-activity; trans cinema; visuella kulturstudier; filmteori;

    Sammanfattning : Trans Cinema and its Exit Scapes offers a critical and creative intervention into cultural representations of gendered body dissidence in contemporary film. The study argues for the possibility of finding spaces of “disidentification”, so-called “exit scapes” within the films. LÄS MER

  5. 15. Beauty Box : Filmstjärnor och skönhetskultur i det tidiga 1900-talets Sverige

    Författare :Therése Andersson; Astrid Söderbergh-Widding; Ann-Kristin Wallengren; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Filmstjärnor; mode; make-up; skönhet; performans; teknologier; genuskonstruktion; modernitet; reception; transnationella relationer; populärpress; Filmjournalen; reklam; konsumism; emancipation; individualitet; fysionomi; Film; Filmvetenskap;

    Sammanfattning : The object of this dissertation is the relationship between film, fashion and beauty concerning different understandings of femininity, with reference to the establishment of the star system and the making of celebrity culture, and how these were expressed through magazines and commercial ads in early 20th century Sweden. The period of time framing the discussion, from fin-de-siècle and onwards with specific focus on the 1920s and 1930s, corresponds to the course of publication of the Swedish magazine Filmjournalen. LÄS MER