Sökning: "space of possibilities"

Visar resultat 1 - 5 av 264 avhandlingar innehållade orden space of possibilities.

1. 1. Waves in space plasmas : Lower hybrid cavities and simple-pole distribution functions

   Författare :Anders Tjulin; Mats André; Hans Pécseli; Uppsala universitet; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Space and plasma physics; space physics; plasma; waves; dispersion relations; lower hybrid cavities; Cluster; magnetosphere; Rymd- och plasmafysik; Space physics; Rymdfysik;

   Sammanfattning : Waves are a fundamental feature in many parts of physics, since they transport energy without transporting matter. This is the case also in space physics. Waves are responsible for energy transport both between different parts of space and between different particles in the space plasma. LÄS MER

3. 2. Towards a Minor Urbanism : Thinking Community without Unity in Recent Makings of Public Space

   Författare :Ida Sandström; Institutionen för arkitektur och byggd miljö; []
   Nyckelord :HUMANIORA; HUMANITIES; Public Space; Spaces of Being-in-Common; Spaces of Collective Care; Minor Urbanism; Community without Unity; Community; Urban design; Urban space; City park; Urban planning; Co-Production; Urban Participation; Urbanism; Difference; Spaces of difference; Diversity; Spaces of diversity; offentliga rum; offentliga platser; urban arkitektur; Planering; mångfald; torg och parker; Urban design; urban gemenskap; urbanism; medborgardeltagande; medborgarengagemang; planeringspraktiker; gestaltad livsmiljö;

   Sammanfattning : HOW CAN WE PLAN AND DESIGN FOR community in diverse urban situations? In response to segregation and social fragmentation, public space is increasingly being conceived of as a vehicle for fostering openness towards differences, both in planning practice and theory. Drawing on two recent public space projects – Superkilen in Copenhagen, Denmark, and Jubileumsparken in Gothenburg, Sweden – this thesis explores what this hopeful idea may mean in terms of the actual making of public space. LÄS MER

4. 3. The Use of 2D and 3D Displays in Military Settings

   Författare :Patrik Lif; Leo Poom; Kip Smith; Uppsala universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; visuell perception; 3D; displays; spatial cues; Psychology; Psykologi;

   Sammanfattning : The purpose of this thesis is to evaluate the possibilities of using 3D perspective displays in different military settings, and to illustrate the limitations of 3D displays, that is, when 2D displays are to be preferred. More specifically, this thesis explores (a) readability during vibrations, (b) perception aspects on perspective aircraft displays, and (c) the value of spatial cues in 3D air traffic displays in military settings. LÄS MER

5. 4. Arbetets geografi : Kunskapsarbetets organisation och utförande i tidrummet

   Författare :Kristina Trygg; Brita Hermelin; Gunnel Forsberg; Bertil Vilhelmson; Stockholms universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; geography of work; knowledge-intensive organizations; knowledge work; everyday life; practice; mobility; social interaction; arbetets geografi; kunskapsintensiva organisationer; kunskapsarbete; vardagsliv; praktik; mobilitet; social interaktion; kulturgeografi; Human Geography;

   Sammanfattning : This is a thesis about knowledge-intensive work and the organizational con-texts of such work. The specific objective is to analyze the geography of work. LÄS MER

7. 5. Figures of time : on the phenomenology of cinema and temporality

   Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER