Avancerad sökning

Hittade 4 avhandlingar som matchar ovanstående sökkriterier.

  1. 1. The mold of writing : style and structure in Strindberg's chamber plays

    Författare :Erik van Ooijen; Lars-Åke Skalin; Ola Holmgren; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; chamber play; literary form; writing; focus; ruin as form; simulation; speed; weed as form; Literature; Litteraturvetenskap; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Aesthetic subjects; Estetiska ämnen; Litteraturvetenskap; Literature;

    Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER

  2. 2. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Författare :Sverker Jullander; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER

  3. 3. Det ulmer under overflaten. : Agathe Backer Grøndahl (1847-1907). Genus, sjanger og norskhet

    Författare :Camilla Hambro; Ola Stockfelt; Ingrid Holmquist; Ursula Geisler; Göteborgs universitet estetik och medier Institutionen för kultur; []
    Nyckelord :HUMANIORA; HUMANITIES; Agathe Backer Grøndahl. Music; gender and genius; femininity; mu¬sic histori¬cal knowledge and canonisation; gender and genre; gender and Nor¬we¬gian sound ; mu¬si¬cal analysis and performativity; Andante quasi allegretto ; Til mit Hjertes Dron¬ning ; Huldreslaat ; Nytaarsgry ; Mot Kveld .; Music; Musikvetenskap; Musicology; musikvetenskap;

    Sammanfattning : My dissertation is a problem oriented one. The composer pianist Agathe Bac­ker Grøn­dahl (1847–1907) has always been a self-evident figure in chapters of Nor­we­gian music history books that cover music, musicians and composers in "Grieg’s shadow". LÄS MER

  4. 4. Det ulmer under overflaten. Agathe Backer Grøndahl (1847-1907). Genus, sjanger og norskhet

    Författare :Camilla Hambro; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Agathe Backer Grøndahl. Music; gender and genius; femininity; music historical knowledge and canonisation; gender and genre; gender and Norwegian sound ; musical analysis and performativity; Andante quasi allegretto ; Til mit Hjertes Dronning ; Huldreslaat ; Nytaarsgry ; Mot Kveld .;

    Sammanfattning : Abstract Ph.D. dissertation at Göteborg University, Sweden, 2008 Author: Camilla Hambro Title: Det ulmer under overflaten. Agathe Backer Grøndahl (1847–1907), genus, sjanger og norskhet English title: What smoulders beneath the surface. LÄS MER