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5 avhandlingar som matchar ovanstående sökkriterier.
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Författare :Karin Trulsson; Socialhögskolan; []
Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; national insurance; Social problems and welfare; substance abuse treatment; social support; family life; life history; habitus; social and cultural capital; gender; masculinity; motherhood; femininity; Sociala problem; social välfärd; socialförsäkring;
Sammanfattning :
The aim of the dissertation is to describe the conditions under which substance abusing women live with regard to their families, the substance abuse and treatment. The interaction between the substance abusing women and the institutional expectations is analysed from gender and class perspective. LÄS MER
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Författare :Ingvartsen Mette; Maria Lind; Bojana Cvejic; Adrian Heathfield; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography;
Sammanfattning :
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. LÄS MER
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Författare :Cecilia Parsberg; Cecilia Lagerström; Göran Dahlberg; Stefan Jonsson; Umeå universitet; []
Nyckelord :HUMANIORA; HUMANITIES; fine arts; images; begging; giving; beggar; giver; successful; solidarity; empathy; affect; space of action; free movement; borders; politics of waiting; gestures; urban life; participating art; filminstallation; asymmetry; symmetry; place; house; co-presence; framing; social choreography; power; activate the image; ethics; aesthetics; ethics; video documentation; artistic research; phronesis; Hannah Arendt; Judith Butler; Sara Ahmed; Sven-Eric Liedman; fri konst; bilder; tiggande; givande; tiggare; givare; framgångsrik; solidaritet; empati; affekt; förhandlingsutrymme; den fria rörligheten; gränser; politiskt väntrum; gester; urbant liv; deltagande konst; filminstallation; asymmetri; symmetri; plats; hus; co-presence; framing; social koreografi; makt; aktivera bilden; etik; estetik; videodokumentation; konstnärlig forskning; fronesis; Hannah Arendt; Judith Butler; Sara Ahmed; Sven-Eric Liedman; fri konst; Fine arts;
Sammanfattning :
Mitt första möte med en tiggande föranledde mig att under fem år undersöka den nya situationen för tiggeriet och giveriet i Sverige. Förutsättningen är att vardagliga handlingar och reaktioner gentemot en annan människa kan synliggöras estetiskt med en etisk klangbotten. LÄS MER
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Författare :Carl Unander-Scharin; Kristina Höök; Wendy Mackay; Stockholms konstnärliga högskola; []
Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; NATURVETENSKAP; NATURAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Medieteknik; Opera; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; Media Technology;
Sammanfattning :
How can we re-empower opera singers, extending their control over accompaniment and vocal expressivity? To answer this question, I have opened a novel design space, Extending Opera, consisting of interactive artist–operated tools to be used on-stage. The research has its methodological groundings in Research through Design (RtD) and Research through the Arts (RttA). LÄS MER
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Författare :Paz Rojo; Chrysa Parkinson; Victoria Pérez Royo; Noémie Salomon; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; Dance; withdrawal; no-future; destitution; gap; eclipse; crisis; body of dance; extra; Gerry; anonymity; bloom; whatever; impersonal; pre-individual; impossible; not-yet produced potentiality; path way; raw fact material signification; practical matter; reading apparatus; perceiving-receiving; preparation; before the beforehand; beginning : end; use; continuity; what s happening; doing; texture; articulation; density; volume; common surface; outside; out-side-ing; choreography; movement; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;
Sammanfattning :
This doctoral artistic research project addresses the possibility of a dance withdrawn from that neoliberal scheme accordingto which self-performance, entrepreneurship and the production of subjectivity rule. Taking as a starting point the dissident corporealities that have emerged in the last fifty years in Western contemporary experimental dance; the project involvesaesthetic, philosophical and socio-political perspectives, carried out on choreographic, performative, textual, audiovisual, curatorial and discursive media. LÄS MER
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