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Visar resultat 1 - 5 av 8 avhandlingar som matchar ovanstående sökkriterier.
1. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning
Sammanfattning : This thesis analyses the Swedish chorale book in two parts edited by J.C.F. Hæffner in 1820-21 to the new hymnal by Wallin of 1819. LÄS MER
2. Why so different? - Aspects of voice characteristics in operatic and musical theatre singing : Aspects of voice characteristics in operatic and musical theatre singing
Sammanfattning : This thesis addresses aspects of voice characteristics in operatic and musical theatre singing. The common aim of the studies was to identify respiratory, phonatory and resonatory characteristics accounting for salient voice timbre differences between singing styles. LÄS MER
3. Raising Voices : Singing repertoire and practices in Swedish schools
Sammanfattning : This doctoral study aims to (i) investigate current song repertoire and singing practices in Swedish elementary school music education and (ii) to critically assess what factors may be seen to affect singing practices and repertoire choice. It looks to map out how much young students are singing in the general music classroom, what they sing, and how they sing, and to discuss possible implications for pedagogical practice from an ethnomusicological perspective. LÄS MER
4. Kingotone og brorsonsang – folkelig salmesang i Danmark : Fra salmebøger og lydindspilninger
Sammanfattning : This dissertation investigates folk hymn singing traditions in Denmark in the nineteenth and early twentieth century, which are rooted in the congregational singing from times of the Reformation. The melodic and vocal style of these traditions are closely connected to the hymnals of Thomas Kingo (1634–1703) and Hans Adolph Brorson (1694–1764). LÄS MER
5. Med rösten som instrument : Perspektiv på nutida svensk vokal folkmusik
Sammanfattning : The point of departure for this ethnomusicological study is the increasing interest in vocal genres and expressions in Swedish folk music milieus from the late 1980s. This “vocal vogue” is linked to the process in which folk music moves from a state of revitalization to a state of established “genre” or subculture/micromusic. LÄS MER