Sökning: "reality tv konst"
Visar resultat 1 - 5 av 6 avhandlingar innehållade orden reality tv konst.
1. Inter esse : Det skapande subjektet, Norén och Reality
Sammanfattning : At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. LÄS MER
2. Bo Widerbergs tv-teater / Bo Widerbergs's TV-Theatre
Sammanfattning : The dissertation analyzes the seven studio produced TV-plays made (1979-1992) by the renown Swedish filmmaker Bo Widerberg. The main focus regards Widerberg’s work method, here referred to as ”The Widerberg method”, which can be described as an acting oriented work method influenced by the American method acting tradition from Hollywood in the fifties, especially the films by Elia Kazan. LÄS MER
3. Dokumentärfilmen som tidsresa - Modstrilogin
Sammanfattning : Stefan Jarl (1941-) is perhaps most well known for his trilogy of films about a group of outcast mods in the Swedish welfare state. The trilogy covers three decades: the first film, They Call Us Misfits, was made in 1968; the second, A Respectable Life, in 1979, and the third, Misfits to Yuppies, in 1993. LÄS MER
4. Intermezzon i medieundervisningen. Gymnasieelevers visuella röster och subjektspositioneringar
Sammanfattning : The starting point of this licentiate thesis is the attempt to make pupils´ perspective on school in general, and media education in particular available and visible. This is done by using a visual research strategy of video diaries, a cumulative method that draws upon students’ knowledge of video diaries from popular culture such as TV-shows. LÄS MER
5. Electronic Labyrinths : An Archaeology of Videographic Cinema
Sammanfattning : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. LÄS MER