Sökning: "prison literature"
Hittade 5 avhandlingar innehållade orden prison literature.
1. Prisonscape : Literary Reconfigurations of the Real and Imagined Worlds of the Chinese Prison
Sammanfattning : This study focuses on the prison writings from and about modern China (from the Mao era to the present day). It builds on previous research on Chinese prison camp literature as well as on sociological and historical studies of the evolution of punishments, both within the Chinese context and from a more global perspective. LÄS MER
2. Le désir selon l'Autre. Étude du Rouge et le Noir et de la Chartreuse de Parme à la lumière du « désir triangulaire » de René Girard
Sammanfattning : The aim of this study is to examine the two novels Le Rouge et le Noir and La Chartreuse de Parme in the light of the theory of 'triangular desire', elaborated by René Girard in Mensonge romantique et vérité romanesque (1961). According to this theory, desire in Stendhal's novels – that is desire in a very general sense – is not spontaneous, but derived from a third part, that Girard labels the 'mediator' or the 'Other'. LÄS MER
3. Between Death and Resurrection : Dostoevsky's Notes from the House of the Dead on the Eve of the Peasant Emancipation
Sammanfattning : This dissertation is a study of Fyodor Dostoevsky’s Notes from the House of the Dead (1860–1862), a semi-documentary rendition of life in a Siberian prison of the 1850s. The work is read against the background of the pivotal historical event coinciding with its writing and publication: the peasant emancipation of 1861. LÄS MER
4. A prison-house of myth? : symptomal readings in Virgin land, The madwoman in the attic, and The political unconscious
Sammanfattning : .... LÄS MER
5. Tomboys, Belles, and Other Ladies : The Female Body-Subject in Selected Works by Katherine Anne Porter and Carson McCullers
Sammanfattning : This study investigates how the Southern writers Katherine Anne Porter and Carson McCullers negotiate the process of becoming a woman in their texts and expose and ridicule the artificiality of that category. Focusing on a selection of Porter’s “Miranda stories” (published between 1935 and 1941) and “The Princess” (1993) and McCullers’s The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and The Ballad of the Sad Café (1943), I argue that both writers voice their protest against patriarchal society that forecloses women’s assumption of subjectivity. LÄS MER