Sökning: "pottery shapes"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden pottery shapes.

  1. 1. ATHENIAN POTTERY AND CYPRIOTE PREFERENCES

    Författare :Niki Eriksson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Attic; black figure; context; Cyprus; find-spots; geography; history; iconography; microarchaeology; pattern; pottery shapes; provenances; red figure; religion; seriality; social practices; structualization.;

    Sammanfattning : Attic Black Figure and Red Figure pottery was continuously imported in Cyprus for about 300 years; the first imports are noted ca 580/575 BC, and the last ca 325/300 BC, at about the same time (294 BC) as Cyprus was annexed by Ptolemy I and the city-kingdoms of Cyprus ceased to exist. The material presented in this thesis amounts to 895 pieces of pottery and every possible effort was made to include all known pottery found in Cyprus. LÄS MER

  3. 2. Crossing the Bridge : An Interpretation of the Archaeological Remains in the Etruscan Bridge Complex at San Giovenale, Etruria

    Författare :Yvonne Backe-Forsberg; Gullög Nordquist; Lars Karlsson; Ingela Wiman; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Classical archaeology and ancient history; Etruscan; San Giovenale; bridge; chthonic; Vesuna; Lurs Larunita; gens; Urcena; Larth; Fasthi Alsi; sacellum; Orientalizing; Protovillanovan; Archaic; Hellenistic; pottery; Greek imports; inscriptions; ritual; liminal; rites of passage; sacrifices; banqueting; transit road; multiple functions; continuity; change; Antikens kultur och samhällsliv; Classical archaeology and ancient history; Antikens kultur och samhälle; arkeologi; Archaeology;

    Sammanfattning : This thesis discusses the archaeological remains in the Etruscan bridge complex, found during the excavations at San Giovenale in 1959–1963, and 1999. The aim has been to reach a holistic perspective of the bridge complex with the bridge seen as a link between topography, economy, social relationships, politics, symbols and ritual, reflecting its importance for the whole community at San Giovenale and its surroundings. LÄS MER

  4. 3. Från skärva till kärl : ett bidrag till vardagslivets historia i Uppsala

    Författare :Magnus Elfwendahl; Historisk arkeologi; []
    Nyckelord :HUMANIORA; HUMANITIES; pottery; cultural patterns; Everyday Life; food and drink; vessels; Medieval and Post-medieval Ages; Archaeology; Arkeologi;

    Sammanfattning : Abstract From Sherd to Pot. A Contribution to the History of Everyday Life in Uppsala tackles the question: how is the culturally created reality produced, fixed, and changed, and how can this be related to the social structure as a whole? The hypothesis is that changes in society result in new cultural patterns which can be read in objects. LÄS MER

  5. 4. Marks and makers : Appearance, distribution and function of Middle and Late Helladic manufacturers' marks on Aeginetan pottery

    Författare :Michael Lindblom; Gullög Nordquist; Carol Zerner; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Archaeology; Pre-firing or potters’ marks; Kolonna; Aegina; Gold Mica pottery; export industry; production; workshops; Lerna; Asine; Aegean prehistory; Bronze Age; Middle Helladic; Late Helladic; Arkeologi; Archaeology subjects; Arkeologiämnen; Archaeology; Arkeologi;

    Sammanfattning : This study is an attempt to analyse the systematic marking of vessels produced on the island of Aegina in the Middle and Late Helladic periods. It deals with both the form and function of the marks, applied during the manufacture of functionally different vases. The first two chapters provide a background to the investigation. LÄS MER

  7. 5. The Chicago Painter and the Villa Giulia Painter's group

    Författare :Siv Blomqvist-Linér; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Attic pottery; Classical art; Dionysos; iconography; maenads; mythological motifs; red-figure; satyrs; stamnoi; vase-painting;

    Sammanfattning : The Chicago Painter is a member of the Villa Giulia Painter's group during the decades around 450 B.C. in Athens. He is a red-figure vase painter who has been named by J. LÄS MER