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Visar resultat 1 - 5 av 47 avhandlingar som matchar ovanstående sökkriterier.
1. The code of Concord : Emerson's search for universal laws
Sammanfattning : The purpose of this work is to detect a pattern: the concordance of Ethics and Aesthetics, Poetics and Politics in the most influential American thinker of the nineteenth century. It is an attempt to trace a basic concept of the Emersonian transcendentalist doctrine, its development, its philosophical meaning and practical implications. LÄS MER
2. Scenes of Writing, Scenes of Looking : Don DeLillo, Claus Beck-Nielsen, and the Politics of the Novel
Sammanfattning : Cries of the death of the novel and even of literature in general have become cultural commonplaces. In an age seemingly dominated by digital spectacle, many seem to think that traditional print literature has become an almost obsolete cultural practice, bereft of any critical social and political relevance. LÄS MER
3. Making architecture politically : from fresh conservatism to aestehtics as a form of politics
Sammanfattning : This research comes from a particular place, a rather unique moment in the history of the Netherlands when Dutch architecture started to be much applauded for its radical approach and innovative design when the typhoon of another modernization swept across the globe. Architects, municipalities, investors, developers, companies, institutions, politicians, inhabitants, educators, researchers, critics and alike, were all thrown into a kind of experimental condition, one being both pragmatic and geographical. LÄS MER
4. Former av politik : Tre utställningssituationer på Moderna Museet 1998-2008
Sammanfattning : This study examines the concepts of art, politics and art institution departing from three cases of exhibition situations at Moderna Museet in Stockholm, 1998–2008. The cases are considered in relation to different aspects of the museum’s identity as an art institution. LÄS MER
5. Across a Most Radical Terrain : Towards an Aesthetics of Dissention
Sammanfattning : The 1990s saw a tendency within the field of contemporary artistic practice for outwards expansion: artistic projects increasingly got involved in wider social and political contexts; transversal and transdisciplinary links were established with other forms of practice; collaboration and participation became the explicit form and sometimes material of artistic practices; the group, collective or network was increasingly posed as an alternative to the individual artist in much the same way as the self-organized, artist-run space set itself up as an alternative to art institutions and galleries. Taking as its point of departure such notion of expansion within the field of artistic production, this thesis sets out to explore the aesthetics developed by these practices, and the link this aesthetics poses to ethical and political trajectories. LÄS MER
