Sökning: "poetic structure"
Visar resultat 1 - 5 av 17 avhandlingar innehållade orden poetic structure.
1. Komposition. Trädgården – som förgrenar sig
Sammanfattning : With the compositional practise as the point of departure the text discusses different topics around musical composition and its artistic, philosophical and scientific context. Some initial explorations were carried out through the use of spectral- and fractal based techniques and experiments. LÄS MER
2. The mold of writing : style and structure in Strindberg's chamber plays
Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER
3. The Nothing That Is : The Structure of Consciousness in the Poetry of Wallace Stevens
Sammanfattning : This is a study of the poetry of the American writer Wallace Stevens (1879-1955). Stevens’ poetry is often concerned with the relation between consciousness and world, the perceiver and the perceived. This dissertation takes the investigation of the very “structure” or “pattern” of consciousness as its main purpose. LÄS MER
4. Interpretive Skepticism : Stanley Cavell, New Criticism, and Literary Interpretation
Sammanfattning : This dissertation explores and analyzes interpretive skepticism in literary theory. It argues that traditional interpretive theories and debates often harbor unacknowledged forms of skeptical thinking and arguments. As these forms of skepticism are seldom recognized as skepticism, the problem tends to remain hidden and unresolved. LÄS MER
5. An anagram of the ideas of filmmaker Maya Deren : creative work in motion pictures
Sammanfattning : Maya Deren’s corpus of work, which has been given various designations within the American avant-garde filmmaking practice of the 1940’s and 1950’s, will be analysed according to the biographical legend—an approach that focuses on authorship within the historical conditions of conception and reception. Influences on her theories in art and ethnography will be noted through several historical discourses: the French Symbolist Poets, Henri Bergson, Kurt Koffka, T. LÄS MER
