Sökning: "performance art body art"
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46 avhandlingar innehållade orden performance art body art.
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Författare :Kajsa G. Eriksson; Göteborgs universitet; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; fashion design; contemporary art; performance; dressed body; documentation; artistic research; engagement; public space; identity; fashion design;
Sammanfattning :
This dissertation is an example of artistic research that explores the border between fashion design and contemporary art, in order to place situated bodily practices within the larger field of exploration and ideology, and to discover new formats. The activities engaged in explore the dressed body as a contemporary art medium, and the performances are carried out in public space and within everyday life. LÄS MER
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Författare :Jonas Eklund; Meike Wagner; Camilla Damkjær; Helen Stoddart; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; circus; new circus; contemporary circus; burlesque; neo-burlesque; boylesque; freak show; sideshow; bodies; phenomenology; spectatorship; popular culture; performance analysis; autoethnography; experience; body mind; Theatre Studies; teatervetenskap;
Sammanfattning :
At the end of the 20th century, the three genres circus, burlesque, and freak show were revived after a long period of decline. Seemingly something in the genres still has a strong appeal to the spectators. LÄS MER
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Författare :Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; Performative and media based practices; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;
Sammanfattning :
Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. LÄS MER
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Författare :Ann Enström; Ringby Per; Ulrika von Schantz; Umeå universitet; []
Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Gender; theatre; acting; performance; performativity; emotion; feeling; affect; mood; atmosphere; body; sensibility; senses; sensuous; situated; tacit knowledge; doing; act; action; kinesthesia; hermeneutics; phenomenology; intentionality; ontology; becoming; expression; intensity; rhythm; response; touch; flow; devotion; vulnerability; Literature; litteraturvetenskap;
Sammanfattning :
The primary argument in this thesis is that the common assumption that an actor has emotion inside him- or herself which can be evoked and projected outwards is an outdated misconception. A proposition is made to replace this possessive acting model, which underpins the realist tradition and is based on the popularized aspects of Stanislavsky’s system for actor training, by a situational acting model. LÄS MER
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Författare :Camilla Larsson; Katarina Wadstein MacLeod; Annika Öhrner; Magdalena Holdar; Södertörns högskola; []
Nyckelord :HUMANIORA; HUMANITIES; Tadeusz Kantor; performative meaning; mediality as material; sensorial and spatiotemporal affects; intermediality; art exhibition; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Tadeusz Kantor; performativ mening; medialitet; materialitet; intermedialitet; konstutställningar; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für Moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;
Sammanfattning :
The subject of this dissertation is the art of the Polish theatre director, set designer, and visual artist Tadeusz Kantor (1915–1990) and its inherent width of artistic expressions. The aim is to contribute with new interpretations that add to previous research that primarily has studied the body of work from the perspectives of the artist’s intention and biography, and divided his artistic work between visual art and theatre. LÄS MER
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