Sökning: "parody"
Visar resultat 16 - 20 av 29 avhandlingar innehållade ordet parody.
16. Veils of Irony : The Development of Narrative Technique in Women's Novels of the 1790s
Sammanfattning : Innovation in literary history may originate in minor as well as major novelists of the past. This study evaluates the contribution to literary history made by three unknown English women writers: Jane West, Charlotte Smith and Anna Maria Bennett. LÄS MER
17. Den rörliga skämtteckningen. Stil, transformation och kontext
Sammanfattning : Abstract THE MOVING CARTOON Style, Transformation and Context The main objective of this study is to identify a special type of film; the moving cartoon, which is a subgenre of drawn animation based on the visual humour developed in caricature and captionless cartoons. The basic tools of cartoon expression are pictorial incongruities where the humour arises from mismatches between elements within the image of a certain recognizable situation. LÄS MER
18. Shakespearean parallels and affinities with the Theatre of the absurd in Tom Stoppard's Rosencrantz and Guildenstern are dead
Sammanfattning : The study elucidates the relation of Tom Stoppard's play Rosencrantz and Guildenstern Are Dead to Hamlet on the one hand and to the Theatre of the Absurd on the other. The two plays chosen to represent the Theatre of the Absurd are Samuel Beckett1 s Waiting for Godot and Harold Pinter* s The Caretaker. LÄS MER
19. Storming the Sadeian Citadel : Disturbing Gender in Angela Carter's Fiction of Transition
Sammanfattning : This study demonstrates how Angela Carter’s textual contention with the works of the Marquis de Sade forms an interstice, chronologically, thematically and narratively, between the early and late works in Carter’s oeuvre. This period of fictional transition and unrest is exemplified byThe Sadeian phase in Carter’s writing can be seen as part of a feminist project. LÄS MER
20. Tabu : Filmaren Vilgot Sjöman
Sammanfattning : This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films. LÄS MER