Sökning: "organ music"

Visar resultat 11 - 15 av 20 avhandlingar innehållade orden organ music.

1. 11. Musikutbildningen och examination vid Kungl. Musikaliska Akademien under "Pehr Frigel-epoken", 1796-1842

   Författare :Bengt Ahlbeck; Mittuniversitetet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; Musikvetenskap; History subjects; Historieämnen;

   Sammanfattning : In this lecentiate disseratation music education and examination at the Royal Academy of Music (KMA) during the period 1796-1842, hear called the Frigel era, is described. The theory of culture provides a general perspective for the disign of the dissertation and the illustration of the issues. LÄS MER

3. 12. Studier omkring artikulasjon i tysk romantisk orgelmusikk, 1800-1850. Med ett tillegg om registreringspraksis : [Studies on Articulation in German Romantic Organ Music 1800-1850]

   Författare :Vidar Vikøren; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; nineteenth-century; organi music; Germany;

   Sammanfattning : The starting point of this study concerns the problems connected to articulation and phrasin in early nineteenth-century organi music. It is generally accepted tha legato was the basic articulation of the romantic period, and the aim os on one hand to describe the legato of the early nineteenth centuries, and on the other hand, to determine what features in the music could guide different types of articulation in a score with no articulation signs. LÄS MER

4. 13. Imagination, form, movement and sound. Studies in musical improvisation

   Författare :Svein Erik Tandberg; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Aesthetic; artistic research; chronology versus phenomenology; cognitive models; cross-modality; imitation; improvisation; motor programmes; organ; organ textbooks; procedural knowledge; Protestant practices; Roman Catholic practices; schemas; style; Johann Sebastian Bach; Anton Bruckner; Marcel Dupre; Rolande Falcinelli; Cesar Franck; Johann Georg Herzog; Hermann Keller; Olivier Latry; Conrad Paumann; Max Reger; Heinz Wunderlich; Ruth Zechlin;

   Sammanfattning : How does one improvise? How can one learn the art of improvisation? By consid - ering these two questions this thesis aspires to make a contribution towards a greater understanding of what the production of improvised music actually involves. The organ has long traditions as an instrument on which music is improvised, and this study aims to focus primarily on organ improvisation. LÄS MER

5. 14. Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis : The practice of organ tuning in North Germany in the seventeenth and eighteenth centuries and its relationship to contemporary musical practice

   Författare :Ibo Ortgies; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; historical performance practice; organ building; pipe making; bellows treading; temperament; tuning; meantone; modified meantone; well-tempered tuning; equal temperament; just intonation; pitch; Chorton; Kammerton; choir pitch; chamber pitch; keyboard compass; split key; subsemitone; short octave; Northern Germany; the Netherlands; Hanseatic cities; Hamburg; Bremen; Lübeck; Alkmaar; Zwolle; Michael Praetorius; Arp Schnitger; Frans Franz Caspar Schnitger; Andreas Werckmeister; Dieterich Buxtehude; organ repertoire; improvisation; ensemble playing; church account books;

   Sammanfattning : Ortgies, Ibo, Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis (The Practice of Organ Tuning in North Germany in the 17th and 18th Centuries and its Relationship to Contemporary Musical Practice). Ph. LÄS MER

7. 15. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning

   Författare :Anders Dillmar; Musikvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Theomusicology; Ethnohymnology; Early German literary romanticism; 19th century; Sweden; Johann Christian Friedrich Hæffner; Chorale book; Congregational hymn singing; Old way of singing; Singing practice; Ornamentation; Individualized way of singing; Heterophony; Regular singing; Chorale reform; Four-part singing; Iso-rhythmical performance; Chorale tempo; Harmonisation of hymn tunes; Legato; Moravian singing practice; Symbolism of organ; Organ playing of chorales; Aesthetics of chorale.; Musicology; Musikvetenskap;

   Sammanfattning : This thesis analyses the Swedish chorale book in two parts edited by J.C.F. Hæffner in 1820-21 to the new hymnal by Wallin of 1819. LÄS MER