Avancerad sökning
Visar resultat 1 - 5 av 22 avhandlingar som matchar ovanstående sökkriterier.
1. Organisationer berättar : Narrativitet som resurs i strategisk kommunikation
Sammanfattning : The subject of this thesis is the communicative practice of strategic storytelling. The aim of the study is to analyse how storytelling is used and handled by organizations to reach comprehensive organizational goals. LÄS MER
2. Losing the plot : architecture and narrativity in fin-de siècle media cultures
Sammanfattning : This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal Stephenson), and introduces architectural spaces such as Thomas Edison’s film-studio Black Maria, and the plotless productions of early cinematography, to juxtapose concepts of plot and spatiality in a study of the production and consumption of pre-digital virtual spaces. LÄS MER
3. Fadern, sonen och berättaren. Minne och narrativitet hos Sven Delblanc
Sammanfattning : In 1991, a year before his death, Sven Delblanc published his highly acclaimed autobiography, Livets ax. At the centre of these childhood memories lies the author’s problematic relationship to his father. LÄS MER
4. Det litterära med reportaget : Om litteraritet som journalistisk strategi och etik
Sammanfattning : This doctoral thesis explores the literarity of reportage, with a focus on the 20th century and modern reportage. The aim is to describe the literary strategies used in modern text-based reportage and how these strategies relate to journalistic standards of credibility and ethics. LÄS MER
5. Divine Suspense : On Kierkegaard's Frygt og Bæven and the Aesthetics of Suspense
Sammanfattning : What does it mean to feel suspense? What kinds of situations give rise to the emotion? What is the connection between suspense and narrativity? And how is it that we can feel suspense upon repeat encounters with the same narrative? These questions are at the center of the first part of this study, where I develop and defend the ‘imminence theory of suspense’. Central to this theory is the claim that suspense arises in situations defined by imminence, by the fact that they are structurally incomplete but geared toward their possible future completion: in other words, situations in which something of essence is imminent. LÄS MER
