Sökning: "mythological motifs"
Visar resultat 1 - 5 av 6 avhandlingar innehållade orden mythological motifs.
1. The Chicago Painter and the Villa Giulia Painter's group
Sammanfattning : The Chicago Painter is a member of the Villa Giulia Painter's group during the decades around 450 B.C. in Athens. He is a red-figure vase painter who has been named by J. LÄS MER
2. Evading Greek models : Three studies on Roman visual culture
Sammanfattning : For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. LÄS MER
3. “Blås upp vind och gunga bölja...” : August Strindbergs sagospel Lycko-Pers resa, Himmelrikets nycklar, Abu Casems tofflor samt Svanevit. Sago- och sägenmotiv, narrativa grundmönster och mytisk initiationssymbolik
Sammanfattning : This dissertation deals with four of Strindberg’s fairy-tale plays produced over a period of three decades, plays to which he himself gave the subtitle “sagospel”, fairy-tale plays. The first of them, Lucky Peter’s Journey, written in 1882, takes a central place in the investigation. LÄS MER
4. Minnets fosterland : Tid och teknik hos Atterbom, Geijer och Stagnelius
Sammanfattning : This dissertation examines the form and role of Romantic memory as it pertains to the concepts of time and technics in the works of the Swedish Romanticist authors Per Daniel Amadeus Atterbom (1790–1855), Erik Gustaf Geijer (1783–1847), and Erik Johan Stagnelius (1793–1823). The study examines how these authors use and reshape memories in an abstract sense – memories of historical events, mythological motifs, and metaphysical ideas – through the lens of cultural memory. LÄS MER
5. A globolo gems. Late Etrusco-Italic scarab intaglios
Sammanfattning : The study treats a class of engraved scarab gems commonly known by the name of a globolo, produced in Central Italy in the Late Classical to Early Hellenistic periods. The point of departure is a newly developed database of all known specimens, which amount to 1,470, covering a wide range of information categories, which have guided the structure of the presentation. LÄS MER