Sökning: "musical analysis"

Visar resultat 1 - 5 av 125 avhandlingar innehållade orden musical analysis.

  1. 1. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Författare :Anders Tykesson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  2. 2. Free Ensemble Improvisation

    Författare :Harald Stenström; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; aleatorics; artistic research; attractor state; central tone; chaotic systems; collective understanding; comprovisation; conceptual model; directed motion; ensemble size; feedback and feedforward; free ensemble improvisation; gesture; importance of rhythm; indeterminacy; interactional skill; listening skill; musical evaluation; musical interaction; musical maturity; musical chemistry; musical interpretation; musical composition; non-idiomatic improvisation; rhythmic flow; sound properties; stylistic influences;

    Sammanfattning : The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without having predetermined what is to be played or how they should play. The background to this thesis has been the author’s own free improvising, which he has pursued since 1974, and the questions that have arisen whilst music-making. LÄS MER

  3. 3. SHUT UP 'N' PLAY! Negotiating the Musical Work

    Författare :Stefan Östersjö; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Contemporary art music; Collaboration; Musical performance; Methodology; Artistic research; Ontology; Music philosophy; Musical work; Musical interpretation; Performance practice;

    Sammanfattning : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. LÄS MER

  4. 4. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach

    Författare :Lena Weman Ericsson; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historically informed performance practice; contextual musical ontology; Johann Sebastian Bach; BWV 1035; authenticity; socio‐cultural context; social constructionism; musical work; intention; interpretation; flute; sonata; historiskt informerad uppförandepraxis; kontextuell musikontologi; Johann Sebastian Bach; BWV 1035; flöjt; musikverk; interpretation; socio-kulturell kontext; socialkonstruktionism; Musikalisk gestaltning; Musical Performance;

    Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER

  5. 5. Brev från den autonoma musikens värld : Den diskursiva konstruktionen av musikalisk autonomi i den samtida klassiska CD-skivan

    Författare :Tobias Pontara; Per-Erik Brolinson; Jacob Derkert; Clas Pehrsson; Alf Björnberg; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical autonomy; sleeve-notes; discourse; discourse analysis; subject position; structural knowledge; power; Music; Musikvetenskap; musikvetenskap; Musicology; Musikvetenskap;

    Sammanfattning : The purpose of the present thesis is to demonstrate in detail and by concrete example the construction of music as autonomous. It studies how the basic categories constituting the discourse of musical autonomy get reproduced in commercialized and mass-produced and at the same time institutionally authorized texts. LÄS MER