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Visar resultat 1 - 5 av 31 avhandlingar som matchar ovanstående sökkriterier.

  1. 1. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Författare :Anders Tykesson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  2. 2. SHUT UP 'N' PLAY! Negotiating the Musical Work

    Författare :Stefan Östersjö; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Contemporary art music; Collaboration; Musical performance; Methodology; Artistic research; Ontology; Music philosophy; Musical work; Musical interpretation; Performance practice;

    Sammanfattning : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. LÄS MER

  3. 3. Feminist musical engagements : The struggle against gender inequalities in music-making practices

    Författare :Rebecca Dobre Billström; Sam de Boise; Eva Georgii-Hemming; Tiina Rosenberg; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Music-making; feminism; gender equality; affective solidarity; Swedish music;

    Sammanfattning : The debate around gender equality and feminist concerns in relation to musical life are increasingly part of Swedish public discourse. Attention directed to structural gender inequalities in various music scenes by feminist associations, governmental intervention in these issues, and the recent #metoo-protests against sexual harassment and violence in the music industries, are all part of this. LÄS MER

  4. 4. Uttryck genom handling : Medierande verktyg i körledararbete med barn och unga

    Författare :Pia Bygdéus; Karin Johansson; Petter Dyndahl; Göran Folkestad; Eva Georgii-Hemming; Lund University; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; choir leadership; choral pedagogy; choral conducting; mediating tools; sociocultural perspective; Music Education; Musikpedagogik;

    Sammanfattning : The role of the choir leader is a complex one. When working with a choir, choir leaders often use several aspects of their professional role. The aim of this qualitative study is to describe, verbalise and make visible the mediating tools that choir directors working with children and youth choirs use. LÄS MER

  5. 5. Ups and Downs, Violin Bowing as Gesture

    Författare :Peter Spissky; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; musical gestures; musical interpretation; baroque music; embodied music cognition; historical performance practice; Historically informed performance; baroque dance;

    Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER