Sökning: "music theatre"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden music theatre.

  1. 1. Composing The Performance : An Exploration Of Musical Composition As A Dramaturgical Strategy In Contemporary Intermedial Theatre

    Författare :Kent Olofsson; Henrik Frisk; Erik Rynell; Camilla Eeg-Tverbakk; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musical composition; Dramaturgy; Composed theatre; Intermedial theatre; New music theatre; Interdisciplinary performing arts; Contemporary theatre; Sonic scenography; Collaborative artistic work; New dramaturgy; Musical composition; Dramaturgy; Composed Theatre; Intermedial theatre; New music theatre; Interdisciplinary performing art; Contemporary theatre; Sonic scenography; Collaborative artistic work; New dramaturgy;

    Sammanfattning : This thesis explores musical composition in the context of contemporary theatre. It suggests methods where compositional thinking – broadly understood – can be used as a dramaturgical device in the creation of theatre performances. LÄS MER

  2. 2. Teatermusikaliska ljudhändelser. Ett bidrag till studiet av musik och angränsande ljudobjekt i talteater och opera

    Författare :Frithjof Lund; Kognitionsvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; ”Trennung der Elemente“; illusions; fiction; communication; semiotics; cognition; perception; multimedial art-works; melodramas; musicals; epic music-theatre; opera; paralinguistic; speech-song; instrumental signals; sound effects; overtures; Zwischenaktsmusik; entr’actes; incidental music; fictional music; diegetic music; Theatre-music; functional music; music and emotions.; Dramatic art; Teatervetenskap; Musicology; Musikvetenskap;

    Sammanfattning : This dissertation focuses primarily on the following aspects concerning music in theatre: 1) its experienced peculiarity – ontologically grounded, 2) its sounding scope, and 3) its various kinds of functions. I argue that the difference between spoken theatre and opera is a question of degree rather than essence, and consider such an assertion being especially valid for the music of these genres. LÄS MER

  3. 3. iOPERA : den virtuella operahuset

    Författare :Fredrik Högberg; Johannes Landgren; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; opera; music theatre; internet; multimedia; virtuality; interactivity; Musical Performance; Musikalisk gestaltning;

    Sammanfattning : Classical music has a troubled history regarding the transformation into new forms of media, and the Internet is no exception. The aim of the present research project is to explore the possibilities of building a virtual, interactive opera house on the Internet, seeking answers to the following research questions:– Is the Internet an ideal platform for a composer of scenic music who, like myself, strives to control all artistic parameters? Or can it turn out the be just the opposite: a creative forum where boundaries between author and audience/users tend to dissolve?– In what way should my music develop to fit into this new arena? And conversely, how will it be possible to develop the Internet to suit my musical and artistic intentions?– Is it possible, in this new public environment, to come through with art and music intended to be an alternative to cultural commercialism and economic speculation and a voice against alienation and intolerance?– How can the increasingly neglected genre of art music find a new audience on the Internet?– How can economic needs be met without losing artistic values?In order to find answers to these questions, iOPERA AB was formed and the production of The Woman of Cain, the first opera exclusively designed for the Internet, began. LÄS MER

  4. 4. Authenticity and its Contemporary Challenges : On Techniques of Staging Bodies

    Författare :Franziska Bork-Petersen; Lena Hammergren; Gabriele Brandstetter; Ramsay Burt; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; techniques of the body; staging; self; authenticity; Menschenbilder; The Swan; Germany’s Next Topmodel; cosmetic surgery; Enlightenment; models of identity.; Theatre Studies; teatervetenskap;

    Sammanfattning : In this thesis I investigate what ‘authenticity’ means in a contemporary popular context and how it is used in the staging of bodies. Furthermore, I analyse works of dance and fashion from the past fifteen years with a focus on their strategies of challenging the notion of ‘bodily authenticity’. LÄS MER

  5. 5. Rousseau's Idea of Theatre : From Criticism to Practice

    Författare :Maria Gullstam; Magnus Tessing Schneider; Roland Lysell; Michael O'Dea; Martin Rueff; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Jean-Jacques Rousseau; theatre; the Enlightenment; pharmakon; perfectibility; aesthetics; imitation; the public festival; Pygmalion; Narcisse; ou L’Amant de lui-même; Le Devin du village; Theatre Studies; teatervetenskap;

    Sammanfattning : As a critic of the moral consequences of Parisian theatre while writing plays and music for it, Jean-Jacques Rousseau (1712-1778) had a double relationship to the art form of theatre. This doctoral thesis argues that his seemingly double position towards the theatre is not necessarily contradictory. LÄS MER