Sökning: "music renaissance"
Visar resultat 1 - 5 av 10 avhandlingar innehållade orden music renaissance.
1. Musiklivet vid de svenska Vasahoven med fokus på Erik XIV:s hov (1560-68)
Sammanfattning : The general scope of this thesis is music life at the Vasa courts in Sweden, with the court of King Erik XIV as focal point. The primary aim is to present a critical study of courtly musical activities during this period, giving specific attention to musicians and other relevant persons, and to the repertory performed, considered in its European context. LÄS MER
2. Think’st thou to seduce me then? Impersonating female personas in songs by Thomas Campion (1567-1620)
Sammanfattning : This dissertation is in the field of Artistic Research in Music Interpretation. It is a study of songs with female personas written by Thomas Campion, investigated through performance practice and a critical reading of historical research carried out on the English Renaissance. LÄS MER
3. Singing, Acting, and Interacting in Early Modern English Drama
Sammanfattning : The study examines ways in which singing figures as a strategy of action and interaction in early modern English drama. Inquiring into the dramatic role of song in plays performed on London’s public stages between c. 1590 and c. LÄS MER
4. The "New Negro" in the Old World : culture and performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen
Sammanfattning : I denna avhandling studeras europaskildringarna i James Weldon Johnsons The Autobiography of an Ex-Colored Man (1912), Jessie Fausets There Is Confusion (1924) och Nella Larsens Quicksand (1928) och hur dessa speglar afrikansk-amerikanernas roll i den västerländska civilisationen. I 1800-talets afrikansk-amerikanska litteratur figurerar Europa ofta som symbol för frihet och kultur. LÄS MER
5. The "New Negro" in the Old World: Culture and Performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen
Sammanfattning : This thesis investigates the relationship between the “New Negro” moment of the early twentieth-century America and the Old World of Europe, as represented in James Weldon Johnson’s The Autobiography of an Ex-Colored Man (1912), Jessie Fauset’s There is Confusion (1924), and Nella Larsen’s Quicksand (1928). In the nineteenth century, Europe functioned as a symbol of freedom, education and art in the African-American literary imagination. LÄS MER
