Sökning: "music as motion"
Visar resultat 1 - 5 av 14 avhandlingar innehållade orden music as motion.
- Detta är en avhandling från Göteborg
Sammanfattning : Lines: Music Moving – Composition Changing is a dissertation that focuses on relationships in music. The main question posed in this dissertation is: How does music relate to what is not music? Through an artistic inquiry, where a reflexive movement between the different parts produces the method used, the dissertation addresses the act of composing with particular focus on how music moves and how relations in music change. LÄS MER
2. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'ArchiDetta är en avhandling från Göteborg : University of Gothenburg
Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER
- Detta är en avhandling från Örebro : Örebro universitet Repro
Sammanfattning : The purpose of the study is to examine music’s place and function in the pedagogical activities at two music preschools. I address the following questions. LÄS MER
- Detta är en avhandling från Göteborg : ArtMonitor
Sammanfattning : ABSTRACT Per Högberg: Organ Singing and Hymn Playing. Performing Congregational Song. The Lutheran church service tradition assigns important functions to the organ: in liturgical use, most of all as a leader, a source of inspiration, and a conversational partner in the congregation’s song. LÄS MER
- Detta är en avhandling från KTH Royal Institute of Technology
Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER