Sökning: "music as motion"

Visar resultat 1 - 5 av 15 avhandlingar innehållade orden music as motion.

  1. 1. Linjer : Linjer: Musikens rörelser – komposition i förändring

    Författare :Kim Hedås; Ole Lützow-Holm; Erik Wallrup; Gunnar D Hansson; Anders Hultqvist; Henrik Frisk; Kungl. Musikhögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; music; composition; relationship; connection; motion; movement; identity; time; memory; space; change; transformation; reflexivity; voice; meaning.; musik; komposition; relationer; förbindelser; rörelse; föränderlighet; identitet; tid; minne; rum; förändring; transformation; reflexivitet; röst; mening; music; composition; relationship; connection; motion; move- ment; identity; time; memory; space; change; transformation; reflexivity; voice; meaning;

    Sammanfattning : Title: Linjer. Musikens rörelser – komposition i förändringEnglish title: Lines: Music Moving – Composition ChangingAuthor: Kim Hedås Language: Swedish, with an English SummaryUniversity: The Academy of Music and Drama at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg, Box 100, SE-405 30 Gothenburg, SwedenKeywords: music, composition, relationship, connection, motion, movement, identity, time, memory, space, change, transformation, reflexivity, voice, meaning. LÄS MER

  3. 2. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Författare :Anders Tykesson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  4. 3. Orgelsång och psalmspel : Musikalisk gestaltning av församlingssång

    Författare :Per Högberg; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musical performance; Congregational song; Interaction; Participation; Liturgy; Beauty; User perspective; Function; Tradition; Organ; Song; Horizontality and verticality; Musical performance;

    Sammanfattning : ABSTRACT Per Högberg: Organ Singing and Hymn Playing. Performing Congregational Song. The Lutheran church service tradition assigns important functions to the organ: in liturgical use, most of all as a leader, a source of inspiration, and a conversational partner in the congregation’s song. LÄS MER

  5. 4. A Quantitative Rule System for Musical Performance

    Författare :Anders Friberg; Johan Sundberg; Giovanni Di Poli; KTH; []
    Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; music performance; expression; interpretation; rules; computer music; midi; jnd; time discrimination; locomotion; motion; listening experiment; perception; timing; phrasing; intonation; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER

  7. 5. Mechanics and acoustics of violin bowing : Freedom, constraints and control in performance

    Författare :Erwin Schoonderwaldt; Anders Askenfelt; Knut Guettler; Jim Woodhouse; KTH; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; HUMANIORA; HUMANITIES; bow-string interaction; bowed string; violin playing; motion capture; bowing parameters; performance control; Other physics; Övrig fysik; Music; Musikvetenskap;

    Sammanfattning : This thesis addresses sound production in bowed-string instruments from two perspectives: the physics of the bowed string, and bow control in performance. Violin performance is characterized by an intimate connection between the player and the instrument, allowing for a continuous control of the sound via the main bowing parameters (bow velocity, bow force and bow-bridge distance), but imposing constraints as well. LÄS MER