Sökning: "music as emotional expression"

Visar resultat 1 - 5 av 8 avhandlingar innehållade orden music as emotional expression.

  1. 1. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Författare :Anders Tykesson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  2. 2. A Novel Approach to Teaching Emotional Expression in Music Performance

    Författare :Jessika Karlsson; Patrik N. Juslin; Erik Börjesson; Susan Hallam; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Psychology; music performance; emotion; expression; feedback; computer-based teaching; music education; Psykologi;

    Sammanfattning : One of the most important aspects of music performance is the expression of emotions, yet research has suggested that this skill is neglected in music education. The aim of this thesis was thus to develop and test a novel and empirically-based approach to teaching emotional expression in music performance. LÄS MER

  3. 3. A Dynamic View of Melodic Organization and Performance : Perception of Structure and Emotional Expression in Music

    Författare :Erik Lindström; Alf Gabrielsson; Andreas C. Lehmann; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Psychology; accents; emotion; expression; musical structure; tonal structure; Psykologi; Psychology; Psykologi;

    Sammanfattning : Psychology of music has shown renewed interest in how music expresses emotion to listeners. However, there is an obvious lack of research on how interactions between musical factors such as harmony, rhythm, melodic contour, loudness, and articulation may affect perceived emotion. LÄS MER

  4. 4. A functionalist perspective on emotional communication in music performance

    Författare :Patrik N. Juslin; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Psychology; Music performance; emotional communication; lens model; music education; Psykologi; Psychology; Psykologi; Psychology; psykologi;

    Sammanfattning : Music is probably the most widely practiced and appreciated of all art forms. One explanation for this may be that music offers a powerful means of emotional communication. Knowledge is scarce in this matter, however, especially when it comes to performance of music. It may be argued that this problem partly stems from a lack of relevant theories. LÄS MER

  5. 5. Singing, Acting, and Interacting in Early Modern English Drama

    Författare :Elisabeth Lutteman; Stuart Robertson; Julie Sanders; Robert Appelbaum; Simon Smith; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Early modern drama; Renaissance drama; Shakespeare; Fletcher; Middleton; Jonson; Dekker; Marston; theatre and music; Shakespeare and music; stage songs; theatre songs; self-presentation; disguise; rhetoric; performance; historical phenomenology; song studies; English; Engelska;

    Sammanfattning : The study examines ways in which singing figures as a strategy of action and interaction in early modern English drama. Inquiring into the dramatic role of song in plays performed on London’s public stages between c. 1590 and c. LÄS MER