Sökning: "modernist poetry"

Visar resultat 6 - 10 av 20 avhandlingar innehållade orden modernist poetry.

  1. 6. Därför berör oss fåglarnas liv : Lennart Sjögrens poetiska livsförståelse

    Författare :Peter Hultsberg; Lars Elleström; Tommy Olofsson; Håkan Sandgren; Växjö universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; 20th Century Swedish poetry; Lennart Sjögren; ekphrasis; modernist poetry; ecology; stylistic features; the authenticity of poetry; philosophy of religion and existentialism; ethics; poetry of place; K. E. Løgstrup; aestheticism; Literature; Litteraturvetenskap; Comparative literature; Litteraturvetenskap;

    Sammanfattning : This dissertation examines Lennart Sjögren’s conception of life as revealed through his poetry and other written documents. Light is shed on his writings in three chapters, with an Introduction that opens the investigations, and a Conclusion that sums up the findings. LÄS MER

  2. 7. Poesins negativitet : en studie i Karl Vennbergs kritik och lyrik

    Författare :Anders Johansson; Mats Jansson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; irony; aestheticism; lyrical modernism; literary criticism; mysticism; deconstruction; negativity; Literature; Litteraturvetenskap; litteraturvetenskap; Literature; Aesthetic subjects;

    Sammanfattning : The aim of this dissertation is to investigate the theoretical views underlying Karl Vennberg's literary criticism, and then to use these views as a starting point for a study of his poetry. Thus, the book is largely divided into two parts. The first deals with Vennberg's reviews and essays, the second with his poetry. LÄS MER

  3. 8. “Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy

    Författare :Gül Bilge Han; Bo G. Ekelund; Bart Eeckhout; Lee Margaret Jenkins; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Wallace Stevens; aesthetic autonomy; modernism; poetry; social engagement; politics of aesthetics; collectivity; inaesthetics; philosophy; English; engelska;

    Sammanfattning : This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. LÄS MER

  4. 9. Åke Hodell. Art and Writing in the Neo-Avant-Garde

    Författare :Johan Gardfors; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Åke Hodell; neo-avant-garde; concrete poetry; illegibility; archive; conceptual writing; materiality; visual poetry; text-sound-composition; intermedia; technology and writing;

    Sammanfattning : Åke Hodell and the Art of Illegibility provides the first in-depth discussion in English of the concrete poet and neo-avant-garde artist Åke Hodell’s works from the 1960s. Throughout the study, Hodell’s artistic practice is contextualized by way of comparison with examples from the earlier avant-gardes, as well as with contemporaneous writers and artists, indicating how the avant-garde and modernist legacies are preserved and transformed in the works of Hodell. LÄS MER

  5. 10. Rendering the Sublime : A Reading of Marina Tsvetaeva's Fairy-Tale Poem The Swain

    Författare :Tora Lane; Anna Ljunggren; Marcia Sá Cavalcante Schuback; Aleksander Dolinin; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Russian Literature; Modernism; Marina Tsvetaeva; Poetry; Molodets; Folkloric; Fairy Tale; Performance; Sublime; Presentation; Russian language; Ryska språket; slaviska språk; Slavic Languages;

    Sammanfattning : The present study is a reading of the folkloric fairy-tale poem The Swain (Mólodets) (1924) by the Russian Modernist poet Marina Tsvetaeva (1892-1941).The poem represents a high point in Tsvetaeva’s experiments with Russian folk art, and it is thoroughly folkloric in its theme, forms of writing and poetic language. LÄS MER