Sökning: "metafiction"

Visar resultat 6 - 10 av 11 avhandlingar innehållade ordet metafiction.

  1. 6. As Coordenadas da Viagem no Tempo : Uma contribuição para a teoria da ficção histórica baseada em alguns textos portugueses dos séculos XVI, XIX e XX

    Författare :Mauro Cavaliere; Maria de Fátima Marinho; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; history; fiction; historical novel; historiographic metafiction; Camões; Lusíadas; Almeida Garrett; Alexandre Herculano; Eça de Queirós; Saramago; Lobo Antunes; Mário de Carvalho; L.F de Castro Mendes; Literature; litteraturvetenskap; Portuguese; portugisiska;

    Sammanfattning : In Portugal, as in other countries, a common characteristic of many of the novels published in the past twenty years is the recourse to a repertoire of literary devices that recall those of the historical novel.                On the basis of critical studies published in the 1990’s, and in particular Fernández Prieto’s Poética de la Novela Histórica, this thesis undertakes a study of the Portuguese historical novel with the aim of defining, to the extent possible, the limits of this literary genre, and to examine in detail some of its intrinsic—and pertinent—semantic and pragmatic traits: the setting of a fictional narrative in the past, theintroduction of historical persons and events and, not the least, the transtextual relationship between the fictional and the historiographic text. LÄS MER

  2. 7. The Gothic in contemporary interactive fictions

    Författare :Van Leavenworth; Heidi Hansson; Catherine Spooner; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Gothic; interactive fiction; subjectivity; posthuman; unspeakable; live burial; labyrinth; uncanny; grotesque; vampire; historiographic metafiction; cybergothic; Literature; Litteraturvetenskap; Literature; litteraturvetenskap;

    Sammanfattning : This study examines how themes, conventions and concepts in Gothic discourses are remediated or developed in selected works of contemporary interactive fiction. These works, which are wholly text-based and proceed via command line input from a player, include Nevermore, by Nate Cull (2000), Anchorhead, by Michael S. LÄS MER

  3. 8. Agustina Bessa Luís et l’écriture de l’Histoire

    Författare :Alda Maria Lentina; Maria Graciete Maria Graciete Besse; Catherine Dumas; Laura Fernanda Bulger; Cândido Oliveira Martins; Université Paris Sorbonne-Paris IV; []
    Nyckelord :HUMANIORA; HUMANITIES; History; historiographic metafiction; women History; deconstruction; intertextuality; parody; identity; gender; masculine domination.;

    Sammanfattning : When Agustina Bessa-Luís rewrites History she is guided by the will to show the absence of women in History. Our reading will show the reintroduction of women in Portuguese History through the “descontruction” of its discourse. LÄS MER

  4. 9. Krapula : Henry Parland och romanprojektet Sönder

    Författare :Per Stam; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Finland-Swedish Modernism; Quosego; Gunnar Björling; poetics; Russian Formalism; theory of prose; narratology; Marcel Proust; photography; film; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; Litteraturvetenskap;

    Sammanfattning : The subject of the dissertation is the work of Henry Parland (1908-1930) during the last two years of his life. The main focus is on the novel Broken. (about developing Velox paper) and some essays about film and poetics. LÄS MER

  5. 10. Masken des Erzählens : Studien zur Theorie narrativer Unzuverlässigkeit und ihrer Praxis im Frühwerk Thomas Manns

    Författare :Kristian Larsson; Gernot Müller; Bärbel Westphal; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Thomas Mann; Narratology; Strategies of narrative masking; Dorrit Cohn; Mimesis; Simulation; Unreliable narration.; Germanic languages; Germanistik; German; Tyska;

    Sammanfattning : Thomas Mann (1875-1955) is a key figure in literary modernism. The status of Mann as a German intellectual and cultural icon of the 20th century was firmly established only after the appearance of the novella Death in Venice (Der Tod in Venedig) in 1912. LÄS MER