Sökning: "litteraturvetenskap science fiction"

Visar resultat 1 - 5 av 17 avhandlingar innehållade orden litteraturvetenskap science fiction.

1. 1. Raketsommar : Science fiction i Sverige 1950–1968

   Författare :Jerry Määttä; Johan Svedjedal; Anna Williams; Dag Hedman; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Literature; sociology of literature; popular literature; publishing history; reception studies; cultural studies; fandom; fan cultures; fanzines; science fiction; Aniara; Harry Martinson; Ray Bradbury; Sture Lönnerstrand; Roland Adlerberth; Elisabeth Tykesson; Litteraturvetenskap; Literature; Litteraturvetenskap;

   Sammanfattning : The subject of this dissertation is the introduction and reception of science fiction literature in Sweden 1950–1968. Apart from considerations on science fiction as a genre and market category, and a brief survey of science fiction published in Sweden before the year 1950, the dissertation scrutinizes the Swedish publishers’ attempts at introducing both domestic and translated science fiction, the reception of the genre in Swedish literary criticism, the magazines Häpna! (1954–1966) and Galaxy (1958–1960), and the foundation of a Swedish science fiction fan culture. LÄS MER

3. 2. Glaspärlespelaren : Nya världar, etik och androcentrism i Peter Nilsons science fiction-romaner

   Författare :Britt Johanne Farstad; Malin Isaksson; Michael Godhe; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Science Fiction; Ethics; Androcentrism; The Glass Bead Gamer; Aleatoric; Teleological; Archetypes; Gendermodels; Logosvision; Science fiction; etik; androcentrism; glaspärlespelare; aleatorisk; teleologisk; arketyper; genusteori; logosvision; Literature; litteraturvetenskap;

   Sammanfattning : This thesis focuses on Peter Nilson’s (1937-1998) science fiction texts, and particularly on how narrative themes and structures in these texts are related to science as well as to the literary tradition of science fiction (SF). The primary texts are the novels Arken (The Ark, 1982), Äventyret (The Adventure, 1989), Rymdväktaren (The Space Guard, 1995), Nyaga (1996) as well as the short story “Kvinnan som ville ha barn med döden” (The Woman Who Wanted a Child With Death, 1987). LÄS MER

4. 3. Raketsommar : Science fiction i Sverige 1951-1956

   Författare :Jerry Määttä; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; litteratursociologi; science fiction; populärlitteratur; Sverige; litteraturhistoria; Harry Martinson; Robert A. Heinlein; Arthur C. Clarke; Isaac Asimov; Ray Bradbury;

   Sammanfattning : .... LÄS MER

5. 4. Oases of Air : A Phenomenological Study of John Banville's Science Tetralogy

   Författare :Joakim Wrethed; H.W. Fawkner; David Pierce; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; John Banville; science tetralogy; contemporary Irish fiction; aseity; air; substance; phenomenology; intentionality; constitution; epistemology; Literature; Litteraturvetenskap;

   Sammanfattning : This phenomenological study of John Banville’s fiction exhibits the way in which Doctor Copernicus, Kepler, The Newton Letter, and Mefisto persistently present air as a constituting factor. Air occurs as a phenomenological oasis permitting constitution to effectuate disclosure ex nihilo. LÄS MER

7. 5. Alien Places in Late Soviet Science Fiction : The "Unexpected Encounters" of Arkady and Boris Strugatsky as Novels and Films

   Författare :Henriette Cederlöf; Anna Ljunggren; Yvonne Howell; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Arkady Strugatsky; Boris Strugatsky; science fiction; heterotopia; paradigm shift; Soviet culture; 1970s; Gothic; adaptation; Stalker; Roadside Picnic; Dead Mountaineer s Hotel; Arkadij Strugatskij; Boris Strugatskij; paradigmskifte; science fiction; heterotopi; Sovjetunionen; 1970-talet; adaption; slaviska språk; Slavic Languages;

   Sammanfattning : This dissertation deals with how science fiction reflects the shift in cultural paradigms that occurred in the Soviet Union between the 1960s and the 1970s. Interest was displaced from the rational to the irrational, from a scientific-technologically oriented optimism about the future to art, religion, philosophy and metaphysics. LÄS MER