Sökning: "literary genres"

Visar resultat 1 - 5 av 71 avhandlingar innehållade orden literary genres.

  1. 1. Sanna lögner. Carina Rydberg, Stig Larsson och författarens medialisering

    Författare :Christian Lenemark; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literary aestethics; literary theory; literary criticism; media theory; mediatization; Swedish literature in the 1990s and the 2000s; fact and fiction; private and public; the role of the author; media; autobiography; realism; auto fiction; faction; the double contract; performative biografism; gender; literature and ethics; literary debates; the docu-soap; Carina Rydberg; Stig Larsson;

    Sammanfattning : In recent decades, the mass media have come to play an increasingly important role in society and culture. Media of every kind permeate not only our politics but our private lives as well. This development has had a great impact on the position of literature and the role of the author. LÄS MER

  2. 2. La Poétique de Houellebecq : réalisme, satire, mythe

    Författare :Jacob Carlson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Michel Houellebecq; poetics; metaphysics; Arthur Schopenhauer; Auguste Comte; positivism; Jean Cohen; aesthetic categories; lyricism; literary genre; Erich Auerbach; literary realism; Mikhail Bakhtin; satire; Menippean satire; cynicism; Novalis; Michael Riffaterre; motif of light vs; darkness; motif of the sun; myth; literary myth; myth of androgyny; symbol; romanticism;

    Sammanfattning : This thesis sets out to explore French writer Michel Houellebecq’s poetics of the novel. It is advanced in the introduction that Houellebecq’s work could be read against the novelist’s 1997 suggestion that “if somebody today was able to craft a mode of expression that was at once honest and positive, they would change the world”. LÄS MER

  3. 3. Dramatikern Stagnelius

    Författare :Paula Henrikson; Bengt Landgren; Roland Lysell; Börje Räftegård; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Erik Johan Stagnelius; Lorenzo Hammarsköld; P. D. A. Atterbom; Swedish Romanticism; German idealism; drama; theater; dialogue; reflection; literary genres; genre theory; poetics; aesthetics; Litteraturvetenskap; Literature; Litteraturvetenskap;

    Sammanfattning : The dissertation concerns the dramatic works of Erik Johan Stagnelius (1793–1823) and the status of drama in Swedish Romanticism. Stagnelius, who is considered one of the main representatives of literary Romanticism in Sweden, has however in the twentieth century been acclaimed primarily for his lyrical writings. LÄS MER

  4. 4. The mold of writing : style and structure in Strindberg's chamber plays

    Författare :Erik van Ooijen; Lars-Åke Skalin; Ola Holmgren; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; chamber play; literary form; writing; focus; ruin as form; simulation; speed; weed as form; Literature; Litteraturvetenskap; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Aesthetic subjects; Estetiska ämnen; Litteraturvetenskap; Literature;

    Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER

  5. 5. Narrating Nuclear Disaster : Literary Form and Affective Modes after Chernobyl and Fukushima

    Författare :Hannah Klaubert; Ansgar Nünning; Claudia Egerer; Catrin Gersdorf; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Ecocriticism; nuclear disaster; Chernobyl; Fukushima; narrative; narratology; literature; Anthropocene; radioactivity; environmental humanities; energy humanities; nuclear humanities; English; engelska;

    Sammanfattning : The major nuclear disasters of Chernobyl (1986) and Fukushima (2011) play an important role in the public perception of nuclear power, yet their social and material impacts remain scientifically debated and, thus, their meaning for the future of nuclear power production contested. Narrating Nuclear Disaster intervenes in these debates by asking what might be learned about nuclear disasters through an analysis of the formal and affective strategies employed in literary texts narrating their aftermath. LÄS MER