Sökning: "konstvetenskap symbolism"
Visar resultat 1 - 5 av 6 avhandlingar innehållade orden konstvetenskap symbolism.
1. Rum för avsked : Begravningskapellets arkitektur och konstnärliga utsmyckning i 1900-talets Sverige
Sammanfattning : The dissertation focuses on a building for one sole purpose: burial services. The aim is to understand the funeral chapel in both functional and representational terms; to chart the course of the architecture and artistic decoration. The presentation is chronologically structured into four periods. LÄS MER
2. The genesis of modernism : Seurat, Gauguin, van Gogh and French symbolism in the 1880's
Sammanfattning : .... LÄS MER
3. The Lure of Origins : An Inquiry into Human-Environmental Relations, Focused on the ”Neolithization” of Sweden
Sammanfattning : The purpose of this dissertation is to contribute to the discussion of the deeper meaning, in our contemporary context, of the ”neolithization” of Sweden. The basis for the investigation is twofold: * a critical examination of recent research reports dealing mostly with the Early Neolithic of (Middle) Sweden which shows, inter alia, that ”agriculture” was of marginal importance for a very long time from about 4000 BC onwards, while, at the same time, the idea of ”the transition to farming” dominates discourse. LÄS MER
4. Den surrealistiska erfarenheten: Upplevelsen. En tolkning av surrealismens åskådning
Sammanfattning : The purpose of the study is to offer an interpretation of surrealism as lived experience or, more exactly, an interpretation of the ways in which the Surrealists themselves respond to and conceive of this experience. Thus, emphasis is put on surrealism as event and process, not as a historically limited phenomenon. LÄS MER
5. Frida Kahlos bildspråk – ansikte, kropp & landskap: Representation av nationell identitet (första utgåvan)
Sammanfattning : This dissertation is about the Mexican artist Frida Kahlo (1907-1954) and her works, with emphasis on her painted self-portraits. The objective is to place Frida Kahlo’s pictorial production in relation to a place and time specific context and to test the theory for Frida Kahlo’s self-portraits as a project connected to a general striving towards a new formulation of a national identity. LÄS MER