Sökning: "konst estetik 1900"
Visar resultat 1 - 5 av 6 avhandlingar innehållade orden konst estetik 1900.
1. Konst med konst som motiv : parafrasens estetik i 1900-talets bildkonst
Sammanfattning : The subject of the thesis is 20th-century art about art. The intentions of the artist, the reference given in the work, and the reaction of the perceiver are all important factors in the definition of a paraphrase of art.A paraphrase is made by an artist with the intention of clearly alluding to earlier art. LÄS MER
2. Den sociala differentieringens retorik och gestaltning : Kritiska perspektiv på funktionalistisk förorts- och bostadsplanering i Stockholm från 1900-talets mitt
Sammanfattning : In this thesis, I analys suburb- and housing planning and interior decoration carried out primarily in Stockholm between the 1930s and the 1950s. Functionalism, the overall concept of the period, has perhaps been interpreted in terms of ideological concepts, interpreted as "democratic" and as a progressive dividing line between the past and the future. LÄS MER
3. Trädgårdens textur : Rumsliga, materiella och sociala perspektiv på den privatägda trädgården i Sverige cirka 1900-1930
Sammanfattning : The subject of this dissertation is privately owned gardens in Sweden circa 1900–1930 and aims to identify and make visible their meaning and impact on different societal levels. Sweden, like many other European countries, faced profound societal changes during the nineteenth and early twentieth centuries. LÄS MER
4. I väntan på hufvudpersonen : Identitet och identifikation i svensk skämtbild 1870-1900
Sammanfattning : In the decades around 1900, political and social cartoons flourished in humour and satire magazines in the Swedish capital. The thesis presents a new theoretical start on the nature of humour in cartoons: the idea of the comical is argued as effects of reality notions and bracketing reality notions. LÄS MER
5. Die Trompete als Soloinstrument in der Kunstmusik Europas seit 1900 mit besonderer Berücksichtigung der Entwicklung ab 1980 am Beispiel der Solisten Håkan Hardenberger, Ole Edvard Antonsen und Reinhold Friedrich
Sammanfattning : This dissertation focuses on the historical causes for the development in acceptance of the trumpet as a solo instrument from the beginning of the twentieth century, when as a solo instrument it was played mainly in the entertainment genre, to the present day, where it is respected and used more and more in the field of ‘art music’. The starting point is the instrument’s ambiguous position and the resulting tension: on the one hand it is laden with the out-dated symbolic content of an earlier royal culture, and on the other hand it is associated with nineteenth-century light entertainment. LÄS MER
