Sökning: "konst; språk"

Visar resultat 1 - 5 av 51 avhandlingar innehållade orden konst; språk.

  1. 1. La Constellation de Thespis. Prsence du thtre et dimension mtathtrale dans l??uvre dramatique de Victor Hugo

    Författare :Sylviane Robardey-Eppstein; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; HUMANITIES; HUMANIORA; Victor Hugo; métathéâtre; théâtralité; didascalies; grotesque; theatrum mundi; théâtre dans le théâtre; Literature; Litteraturvetenskap; Theatre; Teatervetenskap; Romance languages; Romanska språk;

    Sammanfattning : .... LÄS MER

  3. 2. Något betydelsefullt : Leonid Dobyčins möten bortom orden i den sovjetiska samtiden

    Författare :Hans Andersson; Per-Arne Bodin; Irina Sandomirskaja; Ingunn Lunde; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; Leonid Dobychin; L. Dobyčin; Russian Literature; Soviet Literature; Soviet Culture; 1920s; 1930s; Prose; Short Stories; Modernism; Formalism; Realism; Encounter; Meeting; Detail; Rhythm; Epiphany; Everyday Life; Bryansk; Leningrad; Petrograd; Saint Petersburg; Leonid Dobyčin; L. Dobyčin; rysk litteratur; sovjetisk litteratur; sovjetisk kultur; 1920-talet; 1930-talet; prosa; noveller; modernism; formalism; realism; möte; detalj; rytm; epifani; vardagsliv; Brjansk; Leningrad; Petrograd; Sankt Petersburg; slaviska språk; Slavic Languages;

    Sammanfattning : This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. LÄS MER

  4. 3. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  5. 4. Bildet sett fra innsiden : Ikonoklastiske og matematiske konsepter i Florenskijs omvendte perspektiv

    Författare :Fabian Heffermehl; Mattias Martinson; Elena Namli; Per-Arne Bodin; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; HUMANITIES; icon; reverse perspective; image; Russia; modernism; mathematics; geometry; avant-garde; cult; utopia; apocalypsis; Systematic Theology and Studies in Worldviews; Systematisk teologi med livsåskådningsforskning; Slaviska språk; Slavic Languages; Konstvetenskap; History of Art;

    Sammanfattning : For the Armenian-Russian mathematician, theologian and art-theoretician Pavel Florensky (1882–1937), the so-called reverse perspective of the Byzantine cult-image (in Greek: eikon) functioned not only as a phenomenon within painting, but also as an expression of a world-view that should ultimately define a cultural distinction between Russia and Europe. Florensky argued in various ways that the Russian-Orthodox reverse perspective represents ethical and aesthetical values that are superior to the Western linear perspective. LÄS MER

  7. 5. Käket & Moralen : teatersällskapet Proteus/Mercurius från studentteater till länsteater

    Författare :Sara Granath; William Satuer; Margareta Wirmark; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; kulturpolitik; fri teatergrupp; teaterfält; studentteater; länsteater; Theatre; Teatervetenskap; teatervetenskap; Theatre Studies;

    Sammanfattning : The aim of this dissertation is to study the development of a so called free theatre group in the south of Sweden. This group, here called Proteus/Mercurius, started out as a travelling amateur theatre, emanating from the Student Theatre of Lund, in 1965, and waas finally established as the regional theatre of the county of Skaraborg, in 1988. LÄS MER