Sökning: "history of the theatre"

Visar resultat 16 - 20 av 58 avhandlingar innehållade orden history of the theatre.

  1. 16. I väntan på hufvudpersonen : Identitet och identifikation i svensk skämtbild 1870-1900

    Författare :Elisa Rossholm; Jeff Werner; Inga Sanner; Øystein Sjåstad; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; humour; identity; social cartoon; caricature; hegemony; masculinity; gender; bourgeois; drawing; nineteenth century; satirical press; ambivalence; repetition; theatre; Judith Butler; Albert Engström; Oskar Andersson; konstvetenskap; Art History;

    Sammanfattning : In the decades around 1900, political and social cartoons flourished in humour and satire magazines in the Swedish capital. The thesis presents a new theoretical start on the nature of humour in cartoons: the idea of the comical is argued as effects of reality notions and bracketing reality notions. LÄS MER

  3. 17. Suriashi as Experimental Pilgrimage in Urban and Other Spaces

    Författare :Ami Skånberg Dahlstedt; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Suriashi; Slow Walking; Gendered Walking; Japanese dance; Nihon Buyō; Postmodern dance; Japanese theatre; Nō theatre; Practice-led research; Artistic research; Intercultural dance; pilgrimage; critical heritage; screendance;

    Sammanfattning : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. LÄS MER

  4. 18. Barnteater som händelse : Barnpublik och vuxenvärldar vid Kulturhuset Stadsteaterns scen i Skärholmen

    Författare :Ellinor Lidén; Karin Helander; Margareta Aspán; Eva Alerby; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Children’s theatre; children’s theatre as event; child audiences; generation; generationing; the scenario of children’s theatre; reception studies; childhood studies; Barnteater; barnteater som händelse; barnpublik; generation; generationing; barnteaterns scenario; receptionsstudier; barndomsforskning; teatervetenskap; Theatre Studies;

    Sammanfattning : Professional theatre for children is entirely conditioned by adults, though children are its primary audience. Adults at the theatre produce and perform theatre for child audiences, whereas other adults make the arrangements and escort children to the theatre. LÄS MER

  5. 19. Krigaren på scen : Krigarens makt och maktens krigare sedda genom scenkonstens prisma

    Författare :Britt-Marie Bystedt; Sauter Willmar; Göran Grademan; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; warriors; performing arts; theatre; masculinity; play; historiography; society; power; Theatre Studies; teatervetenskap;

    Sammanfattning : The warrior has played an important role in most societies, often representing power. The military/ defence system is founded more or less on the ideal of the good and noble warrior. The aim of the thesis is to examine how the warrior's power has been expressed on stage in different times and different contexts. LÄS MER

  7. 20. Museala och musikaliska föreställningar om historiska musikinstrument : En studie av Musikhistoriska museets verksamhet 1899–1918

    Författare :Madeleine Modin; Gunnar Ternhag; Dan Lundberg; Johannes Brusila; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical musical instruments; museums of music history; early music; historical concerts; collections of musical instruments; preservation; education; Bildung; vitalisation; revival; Stockholm; Sweden; Hovkapellet; Musikhistoriska museet; Musicology; musikvetenskap;

    Sammanfattning : The aim of this study is to elucidate the reasons and means to preserve and use historical musical instruments in a museum context more than a century ago. Advocates for historical instruments held ideological positions that were either close to musical perspectives, e.g. LÄS MER