Sökning: "history and film"
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112 avhandlingar innehållade orden history and film.
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Författare :Allan Burnett; Mediehistoria; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Media history; History; Media; History; 20th Century; Media analysis; media and communication studies; Media and democracy; media and political engagement; media and politics; media and power; media and social relations; Media ecology; media ethics; Deleuze and Guattari; McLuhan; Gender history; British history; Social history; Memory studies; Nationalism; Transnational; National Identity; Second World War; Cold War; Cold War culture; European history; African history; Television; television production; television and everyday life; television history; Film and history; film as historical source material; television culture; film analysis; film archives; film archive; Oral history; Media technology; broadcasting history; 1960- och 1970-tal; 1970s; Assemblage theory; Public history; Postcolonial; war history; Military history; Holocaust memory; memory culture; history culture; British Empire; Enoch Powell; Thatcher; New Left; history of class divisions; Women s movement; Women s history; postmodernity; generational relation; generational shift; Holocaust; postwar era; Journalism and New media; Journalistic culture; journalistic ideology; journalistic roles; journalistic practices; journalistic techniques; Anglo-american; European Community; Decolonisation; Decolonization; migrational history; National identity; Communities of belonging; Globalisation; nuclear age; atomic age; Apocalyptic narrative; Apocalyptic; documentary; Documentary film; documentaries; Filmmaking; Filmmakers; Soviet history; Nazi Germany;
Sammanfattning :
This thesis studies a period of intense crisis and creativity in British media, society, and culture, when the settled outcome of the Second World War (WW2) was perceived to be disintegrating. The post-world-war order was becoming an ‘order in ruins’. LÄS MER
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Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;
Sammanfattning :
This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
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Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;
Sammanfattning :
This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER
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Författare :Martin Karlsson; Jan Samuelson; Ulf Zander; Gunnar Iversen; Mittuniversitetet; []
Nyckelord :HUMANIORA; HUMANITIES; Historical culture; uses of history; history and film; history didactics; historical consciousness; 1970–2000; history and media; the Holocaust; the Industrial revolution; educational history.; History; Historia;
Sammanfattning :
Karlsson, Martin; Att projicera det förflutna. Historiebruk och historieförmedling i svensk skolfilm 1970–2000 utifrån de regionala AV-centralernas utbud [Projecting the past: Use and mediation of history in Swedish educational films 1970-2000] Department of Humanities, Mid Sweden University, SE-871 88 Härnösand, SwedenISBN 978-91-974902-8-8Swedish text with a summary in English This dissertation analyses a significant element of Swedish historical culture, namely how history was used, communicated and (re)constructed in films with historical themes, available to Swedish schools from 1970 to 2000. LÄS MER
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Författare :Tommy Gustafsson; Kristian Gerner; Erik Hedling; Irene Andersson; Jan Olsson; Historia; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Boyhood; Censorship; Children; Consumerism; Fatherhood; Gender relations; Love; Masculinity; Melodrama; The pluralism of film; Racism; Sexuality; Swedish film of the 1920s; New woman; Film; Filmvetenskap; History; Historia; Gender studies; Genus; Film Studies; Filmvetenskap; Historia; History; Gender Studies; Genusvetenskap; Masculinity; Gender Relations; “The Pluralism of film”; Boyhood; The New Woman; Youth Culture; Boyish Masculinity; Queer; Sexuality; Popularity; Stereotypes; Racism; Race; Modern Masculinity; Melodrama; Love; Gösta Ekman; Gender; Film Culture; Fatherhood; Ethnicity; Consumerism; Children; Class; Homosexuality; Emotions; Consumer Culture; Censorship; Swedish Film of the 1920s;
Sammanfattning :
The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping. The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER
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