Sökning: "historical performance practice"

Visar resultat 6 - 10 av 40 avhandlingar innehållade orden historical performance practice.

  1. 6. Ups and Downs, Violin Bowing as Gesture

    Författare :Peter Spissky; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; musical gestures; musical interpretation; baroque music; embodied music cognition; historical performance practice; Historically informed performance; baroque dance;

    Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER

  3. 7. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach

    Författare :Lena Weman Ericsson; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historically informed performance practice; contextual musical ontology; Johann Sebastian Bach; BWV 1035; authenticity; socio‐cultural context; social constructionism; musical work; intention; interpretation; flute; sonata; historiskt informerad uppförandepraxis; kontextuell musikontologi; Johann Sebastian Bach; BWV 1035; flöjt; musikverk; interpretation; socio-kulturell kontext; socialkonstruktionism; Musikalisk gestaltning; Musical Performance;

    Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER

  4. 8. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning

    Författare :Anders Dillmar; Musikvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Theomusicology; Ethnohymnology; Early German literary romanticism; 19th century; Sweden; Johann Christian Friedrich Hæffner; Chorale book; Congregational hymn singing; Old way of singing; Singing practice; Ornamentation; Individualized way of singing; Heterophony; Regular singing; Chorale reform; Four-part singing; Iso-rhythmical performance; Chorale tempo; Harmonisation of hymn tunes; Legato; Moravian singing practice; Symbolism of organ; Organ playing of chorales; Aesthetics of chorale.; Musicology; Musikvetenskap;

    Sammanfattning : This thesis analyses the Swedish chorale book in two parts edited by J.C.F. Hæffner in 1820-21 to the new hymnal by Wallin of 1819. LÄS MER

  5. 9. Programmert interpretasjon. Serinetten som kilde till 1700-tallets musikalske fremførelsespraksis

    Författare :Bjørn A Bratsberg; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; serinette; automatic organs; performance practice; Engramelle; Dom Bedos; tonotechnie; unequal notes;

    Sammanfattning : In his famous treatise on organ-building, L'art du facteur d'orgues (1766-78), the French Bénédictine monk, organist and organ-builder Dom François Bédos de Celles devotes a chapter to the procedure of pinning cylinders for automatic organs. The chapter, based on the treatise La Tonotechnie by Dom Bédos' contemporary Joseph Engramelle, Dom Bédos contains detailed descriptions of basic practices of performance, including the precise nature of ornaments, articulation and notes inégales, with the aim of making possible the mechanical reproduction of a good human performance. LÄS MER

  7. 10. Sjungande berättare - vissång som estradkonst 1900–1970

    Författare :Marita Rhedin; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; authenticity; folk music; guitar; lute; microphone; performance practice; poetry; process of change; repertoire; simplicity; singing style; singer-songwriter; song; Sweden; troubadour; visa; voice;

    Sammanfattning : The purpose of this dissertation is to investigate how the song type visa, especially the so-called literary visa, has been presented on Swedish public stages from 1900 to 1970. More specifically it aims to: a) identify characteristic features for the performance of visa; b) ascertain in what ways performance practice has changed during the period; c) analyze and discuss the causes of change; by d) studying the performance of visa in its social and historical context. LÄS MER