Sökning: "historical performance practice"
Visar resultat 16 - 20 av 40 avhandlingar innehållade orden historical performance practice.
16. Matthias Weckmann: the interpretation of his organ music
Sammanfattning : The dissertation presents an interpretation of the complete organ works of Matthias Weckmann primarily for the performer and in the spirit of historically-informed performance practice. The process of creating this interpretation was documented in writings, recordings, concerts, and a new edition of the free organ works. LÄS MER
17. Working model and methods for balancing energy performance, cultural and architectural values in our built heritage
Sammanfattning : About 40 per cent of the energy produced within the European Union is consumed in and by the residential and business sector, and the same applies to Sweden. Today’s necessary focus on the climate issue with the concomitant energy issue connected to greenhouse gas emissions has resulted in stringent energy requirements even for preservation work on historically important buildings. LÄS MER
18. Timetable Analysis based on Social Cost and Simulation
Sammanfattning : The timetable is essential for railway traffic. Its design affects rail operations – and by extension all operators, passengers, and freight clients. International practice for capacity allocation varies and there is no common algorithm for designing and evaluating timetable changes. LÄS MER
19. Piety, Intimacy and Mobility : A Case Study of Charismatic Christianity in Present-day Stockholm
Sammanfattning : Stockholm County is a post-industrial Swedish region characterized by high levels of mobility and technologization as well as ethnic and religious diversity. Among its religious minorities exist various strands of charismatic Christianity, some of which originate from the Pentecostal revival of the early 20th century and some of which belong to more recent movements. LÄS MER
20. Omförhandlingar : Kropp, replik, etik
Sammanfattning : Renegotiations: Body, Line, Ethics departs from questions concerning authorship and agency for actors in institutionalised settings and moves towards a discussion on ethics, responsibility and possibilities in the body – text relationship. The question of how bodies can be renegotiated in and by the theatrical line is central to the work. LÄS MER