Sökning: "historical performance practice"
Visar resultat 11 - 15 av 40 avhandlingar innehållade orden historical performance practice.
11. An Operatic Game Changer: The Opera Maker as Game Designer and the Potentials of Ludo-Immersive Opera
Sammanfattning : How can live-performed chamber operas be conceptualized as immersive games with interactive features? This artistic study has resulted in a system model through which degrees of immersion may be generated and analyzed from physical, social, and psychical stimuli. A differentiation of immersive modes has been made possible by the framing of opera-making as game design. LÄS MER
12. Aska, Tomhet & Eld. Outsiderproblematiken hos Bruno K. Öijer
Sammanfattning : The topic of this dissertation is the work of the poet Bruno K. Öijer (b. 1951). My thesis is, that a recognition of how he has assumed the outsider position is vital for an understanding of his work, and that it also may contribute to an explanation of his particular importance in the cultural arena of the early 70s. LÄS MER
13. Minnets spelrum : Om musik och pensionärskap
Sammanfattning : The aim of this study is to explore how pensionerhood is formed through music-making. What are the building blocks of pensionerhood in musical contexts, and which values are included and excluded? In the study pensionerhood is defined in terms of cultural position, the term forming is used to define conditioning, limiting and enabling forces and the term music-making denotes a wide set of activities from arranging venues to performance. LÄS MER
14. "Sweetenings" and "Babylonish Gabble" : Flute Vibrato and Articulation of Fast Passages in the 18:th and 19:th centuries
Sammanfattning : During the 18th and 19th centuries, vibrato as well as the articulation of fast passages was often not indicated in the musical scores, but was left to the players discretion within prevailing practice. A finger-vibrato technique that this study names the flattement technique was the most recommended vibrato technique in Western classical music throughout the 18th century. LÄS MER
15. Känsla för skådespelarkonst : mot en förståelse av tysta kunskaper och görandets fenomenologi
Sammanfattning : The primary argument in this thesis is that the common assumption that an actor has emotion inside him- or herself which can be evoked and projected outwards is an outdated misconception. A proposition is made to replace this possessive acting model, which underpins the realist tradition and is based on the popularized aspects of Stanislavsky’s system for actor training, by a situational acting model. LÄS MER
